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When Nostalgia Clashes with Contemporary Reality: Reconciling ‘I, Spy’ with Bill Cosby
May 4, 2018  | By Alex Strachan  | 6 comments
 

It’s one of the toughest questions there is, as a fan. How do you separate an actor from the character he, or she, plays on TV? Can you separate the two? Is it even right to try to separate the two?

Bill Cosby was found guilty last week on three counts of aggravated sexual assault. He’s expected to appeal while he awaits sentencing. Even if Cosby should win on appeal — and it’s hard to imagine what the legal grounds might be — the die is cast. Just this past Thursday, the Academy of Motion Picture Arts and Sciences — the prestigious organization that runs the Oscars — announced it had expelled Cosby from its organization. The academy said its board members made the decision after a vote on Tuesday.

Everyone who has watched TV over the past 40 years has memories — mostly fond — of what Cosby meant to them. For most, that’s probably The Cosby Show. For me, it was I, Spy.

I Spy was one of my defining coming-of-age TV dramas while growing up, though I came to it late: I was just five-years-old when I, Spy debuted in the fall of 1965. Like many before me, I discovered I, Spy in reruns, in the mid- to late 1970s.

The globe-hopping adventure starred Robert Culp and Cosby as undercover CIA operatives traveling the world, making far-flung countries safe for life, liberty, and the pursuit of happiness. I, Spy ran for three seasons in all, between September 1965 and April 1968. Over the years, I, Spy clocked a total of 82 episodes. The series was filmed not on a back lot in Burbank but in cities all over the world including Venice, Tokyo, Madrid, Florence, Hong Kong, Athens, Rome, and Fez, Morocco, at what must have been a shocking cost to the studio and network NBC, even in  mid-1960s money.

Eighty-two episodes spread over three seasons is a blink-of-an-eye in present-day terms, of course, when a Law & Order: SVU can push past 19 seasons and more than 400 episodes, while The Simpsons sets a new benchmark every week it seems, now at 29 seasons and more than 600 episodes.

And yet, even in that relatively short span of time, I Spy left an indelible mark on the culture.

And not just because Big Bang Theory creator Chuck Lorre named his Big Bang leading men after I Spy’s irascible, over-the-top, larger-than-life studio mogul, Sheldon Leonard. (True story: Lorre, no shrinking violet himself, considers Sheldon Leonard to be one of the most influential moguls in the medium’s history, the Samuel Goldwyn and Louis B. Mayer of the small screen.

I Spy wasn’t simply eye-catching because of its locations, of course. It made its mark in TV history because, in Robert Culp’s pro tennis player/secret agent Kelly Robinson and Bill Cosby’s fitness trainer/secret agent/sidekick Alexander Scott, it showed a white man and a black man in leading roles — equals — in a primetime TV drama that reached into virtually every home in America.

This was 1965, remember, when President Lyndon B. Johnson signed the Voting Rights Act into law, on Aug. 6 — a landmark piece of US federal legislation designed to prohibit racial discrimination in voting. I Spy bowed just seven months after civil-rights campaigner Malcolm X was assassinated in Harlem, New York. It debuted just six months after the civil-rights march on Montgomery, Alabama from Selma, and just 35 days after the riots in Watts, Los Angeles.

Cosby was just 28 at the time; Culp was 35. Cosby was of matinee-idol age, an instant TV star, a hero to millions and a role model, it’s not hard to imagine, to an entire generation of young African-American men and, arguably, women, too.

An actor simply reads his lines and hits his marks, of course; the real credit for the character’s creation and inception belongs to Culp himself, producer Leonard, and series writers David Friedkin and Morton Fine. (Culp came up with the initial idea of a James Bond-type secret agent tailored for TV and showed it the script to his friend Carl Reiner, who suggested he meet Leonard, who was then developing a spy drama of his own for TV. Culp’s name appears as the sole writing credit on the pilot episode “So Long, Patrick Henry,” which kicked off the series on Sept. 15 of that year. The pilot episode was directed by Leo Penn.)

Even so, much of what made Alexander Scott memorable was Cosby himself — his presence, his physical bearing, his line readings, the way he held himself and carried himself. (Interestingly, the script called for Cosby’s character to be an older man and mentor to Culp’s dashing but impulsive tennis pro-cum-secret agent; the story goes that Leonard saw the young Cosby perform a stand-up comedy routine at a Los Angeles comedy club and decided then and there to cast Cosby in the role, despite initial misgivings from both the network and the producing studio.)

Culp may have created Alexander Scott on the page, and Friedkin and Fine molded him from there, but it was Cosby who brought the character to life for the millions of viewers who tuned into NBC on Wednesday nights from 1965 to 1968.

Even to the casual viewer, “Scotty” — black, young, fit, and hip — was clearly the brains of the pair. Scotty was a renowned linguist who was marking time by hanging out with international playboy and tennis ace Kelly Robinson. Over the course of the first season, Scotty’s murky past — a string of covert activities for the US government — slowly came to light. It became general knowledge, among I, Spy viewers if not the semi-regular sidekick and recurring characters in the show, that Scotty worked for a clandestine arm of the Pentagon. Robinson hailed from an upper-middle-class background and had the means to support himself as an athlete and tennis bum — hot-tempered, impulsive and an unapologetic womanizer. Scotty, on the other hand, was aesthetic and studious, calm and collected, guided by moral principle and the holder of a black belt in judo, just in case a miscreant needed a more immediate, physical re-education. Scotty brought a certain gravitas to the relationship, a gravitas Kelly Robinson clearly lacked.

And yet, and this is where I, Spy proved unique, the closer one looked, the more their differences appeared to be minor compared to what they shared in common. The hidden message wasn’t so hidden, it turned out: I, Spy didn’t just talk about judging a person not by the color of their skin but by the quality of their character. I, Spy showed it, week in and week out, and broadcast it straight into people’s living rooms.

In the age of Malcolm X, the Voting Rights Act, Selma, Alabama and the slowly growing, inexorable, intractable conflict in Vietnam, it’s almost impossible to calculate today the effect Cosby and I, Spy must have had on TV audiences of the day. In I, Spy’s early years, Cosby was a pioneer, a role model in a trailblazing show.

I Spy was made at a time when light-hearted fare like Bonanza, Gomer Pyle USMC, The Lucy Show, and Batman topped the TV charts, but the TV program it reminds me most of today is Homeland.

That’s why the squalid drama surrounding Cosby today makes it so hard to square that circle.

Is it possible to watch I Spy today and appreciate it quite the same way, knowing what may well have been going on behind the scenes? The testimony that emerged at the Cosby trial suggests that his transgressions were not a one-off but rather a pattern of behavior, consistent over time and, yes, dating back to the mid- ‘60s and ‘70s.

I actually do think it is possible to watch I Spy today and appreciate the character — and the show — for what it was, and what it represents today.

I’d be lying, though, if I said I didn’t have qualms, a hard-to-explain unease. The movies are one thing — Harvey Weinstein, Kevin Spacey, Roman Polanski, the list goes on — but TV is more intimate, somehow, and so the betrayal runs deeper. Movies have always been made on a grand scale — I Spy was inspired in part by the James Bond movies, after all — but TV is the medium we invite into our homes, where it becomes part of the furniture and, in special cases, part of the family.

I imagine I will watch those old I Spy episodes again, one day.

When, and how, and under what circumstances, though, I can’t exactly say.

I suspect I’m not alone.

 
 
 
 
 
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6 Comments
 
 
Tim
In the last month or so I've started re-watching "I Spy" from the beginning. It is not easy. After seeing Cosby on Jack Paar one Friday night in 1963 doing his "Noah" routine, I became a devoted fan. Memorized his albums. Loved "I Spy" for his role and for the smart writing and my new hero, Robert Culp. Watching now, that 15-year-old's joy at being able to live in those episodes with his heroes is not just tempered, but nearly extinguished. But I do not want to give up that show, those memories. Nor do I want to insult or dishonor all of his victims. A conundrum. Except...the victims are much, much more important than my nostalgia.
Jun 18, 2018   |  Reply
 
 
David
"I SPY" ended production in 1967. My hope is that Cosby did not start being a jerk until the series was finished. In a way, I guess it's a good thing that Sheldon Leonard and Robert Culp died before all of this came to light. It's still probably my favorite TV series. I have all the episodes on DVD and trying to visit all of the countries and locations where Kelly and Scotty traveled is one of my life's goals. The series had that much of an effect on me. Call me crazy if you must.
May 26, 2018   |  Reply
 
Mac
Sad,but earliest date on record for allegations is Dec. 1965,as I Spy was in production and Cosby's career was on all four cylinders: stand-up gigs,LP sales, variety/talk shows and I Spy. Not only was it unprecedented for a black entertainer,there was no one able to pivot from stand-up to talk show guest/host to drama. A recent N.Y. Post headline was taken from an Advertising Age article:"only the pope was more popular". As a Catholic high schooler that lived through the I Spy era-Cosby was way bigger than Pope Paul VI. No one ever brought Pope Paul's albums to school or talked about his latest escape from the bad guys on a TV show. Cosby's allegations were making headlines years before Culp passed.
Jun 4, 2018
 
 
 
Angela
I won't be able to separate the two. Because after having listened to a few of the women's testimonies (during a press conference), the type of crime he committed and how he committed them (by drugging before raping) and the fact that he was a serial rapist. Nope, can't separate the art from the crime.
May 7, 2018   |  Reply
 
I hear you. It's a really hard issue to wrestle with, at least for me, though it won't be for some — as you rightly point out. In an unrelated-but-related aside, one of my favorite writers and personalities, Harlan Ellison (a close personal friend of Robert Culp, as it happens, going back to their time together on the original Outer Limits), never forgave Elia Kazan for naming names before the McCarthy HUAC committee hearings. When Kazan was feted by the Oscars academy many years later, Harlan Ellison was vocal and outspoken in his objections, saying that some things are unforgivable, especially when lives are ruined, and that there's no separating the artist from the art. So there are no easy answers. Thank you for commenting: It's important that that side of the argument be on the record. Also, I suspect that Harlan Ellison might agree with you...
May 8, 2018
 
 
Angela
I forgot to add a link that is a timeline of Cosby's accomplishments and alleged crimes over a 50 year period by the LA Times. Not sure if links are allowed but here goes. And thank you for this article. It couldn't have been an easy article to write. http://www.latimes.com/entertainment/la-et-bill-cosby-timeline-htmlstory.html
May 7, 2018
 
 
 
Howard Gask
Scheduled my activities so as to never miss this show. It was the first TV show I remember to take the viewer out to far-flung places...instead of the same old studio sets. Also the first to use a hand-held camera to follow the action through city streets, giving the illusion of a big budget feature film right in my living room.
May 5, 2018   |  Reply
 
 
Mac
Check out my favorite version of Earle Hagan's jazzy I Spy theme. It comes from keyboard wiz Dick Hyman on the Command LP The Man From O.R.G.A. N. Audiophile quality with '60s wide-stereo and interesting sound effects. On You Tube.Stay for the end when everything mashed together with a nod to church bells that makes perfect sense.
May 4, 2018   |  Reply
 
 
Mac
I was a teen,just starting high school, when I Spy premiered in 1965. At the time, Cosby,a Philly favorite(I grew up in the 'burbs) was entertaining on talk shows,variety shows,game shows,records & stage.
One memorable I Spy episode,which solidified how great the show was,involved the cliched doppelganger plot-bad guys impersonating Scotty & Kelly and Trumpian confusion results. Instead of the same actors getting to be baddies with split-wcreen effects,different actors portrayed the bad Scotty & Kelly. This, in the Patty Duke era, was different. If one believed the idea of look-alikes,this is how it would play out in reality.
How popular was Cosby then? My all-boys school finally caved in to a May Day festival with track & field events. Everyone hated it,until the brilliant idea of forming a game of Buck Buck. Extremely violent,it was introduced to us via Coz' routine which introduced Fat Albert. Hey,hey,hey. I miss that.
May 4, 2018   |  Reply
 
 
 
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