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Coagulations, HBO! ‘True Blood’ is as Bloody Good as Ever
June 8, 2012  | By David Bianculli  | 3 comments

HBO’s True Blood returns for Season 5 Sunday, with an opener that travels at the summer show’s usual speed: fifth gear.

If Alan Ball’s supernatural action series were a race car, it’d be hitting each and every curve just at the point short of spinout. Each hour — and I’ve previewed this season’s first four — packs more action and twists than, say, a season of AMC’s The Killing. And somehow, despite all that speed and all those twists and turns, it never loses control.

True Blood, returning Sunday night at 9 p.m. ET, has taken the Sookie Stackhouse novels by Charlaine Harris and turned the story of this Southern bayou backwater into a blood-steeped, emotionally intense, grand guignol dark comedy — a Sweeney Todd without music. Though the artistic level and aspirations here are less grand, they’re just as much fun, and the cast is a large, wonderful part of it.

Last summer, when we left True Blood, Sookie (Anna Paquin, above at right) had been attacked by a jealous female werewolf, who had come at Sookie with shotgun aimed high. Sookie blew her assailant’s head off, but not before Sookie’s best friend, Tara (Rutina Wesley, above), took a bullet. Meanwhile, Sookie’s two rejected vampire lovers, Bill (Stephen Moyer) and Eric (Alexander Skarsgard) were captured and carted away, while Sookie’s brother, Jason (Ryan Kwanten), went straight from a sexual encounter with teen vamp Jessica (Deborah Ann Woll, below left) to an unexpected encounter with Steve Newlin (Michael McMillian) — former vampire-hating evangelist, apparently turned vampire himself.

To its credit, Season 5 begins exactly where Season 4 ended. Before the opening credits roll, you’ll learn what happened to Tara — and soon enough, all other questions will be answered as well.

The return to the action sets up Season 5 on a new path, with new configurations of characters. Sookie, who has spent most of True Blood vamping with one vamp or another, is determined to go it alone — though Alcide (Joe Manganiello), the werewolf, is still around. Bill and Eric, though, have to rely on one another to survive, like an undead version of The Defiant Ones, as they become both captives and pawns of the all-powerful Vampire Authority.

Clearly, the women get to strut their stuff this season. Not only the central characters, but also Bill’s young progeny, Jessica (who has come into her own as a powerful, confident vampire), and Eric’s more mature progeny, Pam (Kristin Bauer van Straten, below left). The Eric and Pam story lines, past and present, are more touching than comic this year — though Pam still gets, and delivers, the funniest, most sarcastic lines in the show.

Also prominent this year is the political, and religious, showdown between two warring vampire factions: the Sanguinistas (fundamentalists who see humans merely as walking food) and the Authority (who see themselves as descended from humans, and seek peaceful co-existence).

One prominent new character introduced is the Guardian of the Authority, played by Christopher Meloni (above, with knife) with even more cold-blooded menace than he displayed each week on HBO’s Oz. This insiders’ peek into vampire power allows Ball and the other writers to make plenty of not-too-subtle points about politics and tolerance — while also taking enough creative license to suggest that the vampires have their own bible, and that at least one familiar biblical characters is still around. And sporting fangs.

Irreverent? Yes. But in this political year, certainly not irrelevant.

And, as always, True Blood arrives just in time to enliven the TV summer.

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Greg Kibitz
True Blood never fails to Please!!!!. Only three or four shows on TV, Cable, or Premium Cable really leave me in awe, adoration and total excitement (with an actual outloud verebal utterance of holy F or S), either during and/or right after nearly every episode and True Blood is probably one of the top 2 (the others being Breaking Bad, The Walking Dead, Dexter and sometimes Game of Thrones). My favorite moment is often right after the intial pre-credit teaser scene ends and that catfish appears. I never get sick of that. Most series I FFWD through the openning sequence BS but not with these shows. Even their openning credits rock! As always a week is too long between episodes and so many many months and months between seasons even more unbearable. Let us hope Mr. Ball never gets bored of this franchise because I will alwasy want more and more!
Jun 23, 2012   |  Reply
David Bianculli
I'm entranced by the opening credits too. They get you in the perfect mood for the show, which is what makes them so much fun -- and so valuable.
Jul 4, 2012
See the summer TV season does not have to "suck", sorry. Sounds like there are going to be some more fun times in Bon Temps. Looking forward all of it.
Jun 9, 2012   |  Reply
Pretty sure Christopher Meloni is holding a stake, not a knife.
Jun 8, 2012   |  Reply
Greg Kibitz
Yes, most defintely a wooden stake, albeit a very, very fancy one with bits of sterling silver trim and fancy ferrule, as is always used when carrying out the "True Death."
Jun 23, 2012
Maybe it's a stake-knife! ZING!

I'll let myself out...thanks...
Jun 10, 2012
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