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Abby's Makes it Bar Time Again for NBC
March 28, 2019  | By Ed Bark  | 1 comment
The onetime network of Cheers wants to drink to that again. 

Except that Ted Danson’s womanizing Sam Malone can’t get a liquor license anymore. Nor would Cheers’ all-white cast get a pass. In NBC’s notably diverse Abby’s (Thursday at 9:30 p.m. ET), the bar owner is a proudly bisexual Cuban woman and Marine Corps combat veteran whose manager is of Iranian descent. And if you’re looking for a Norm Peterson, you’ll find him in the demonstrably more plus-sized James, who is African-American.

A nettlesome laugh track remains in play, though, giving Abby’s a throwback Cheers vibe at the drop of every one-liner. As when barfly Beth, who’s basically a runaway mom, gripes about her kids being “obsessed with me. They want me to hug them and make them food.” Ha ha ha. It’s all “filmed in front of a live outdoor audience.” 

Heading the cast is Natalie Morales, whose Abby’s bar is located in her San Diego backyard. It’s a regimented place of rules and realness, with regular patrons required to earn their assigned barstools by conducting themselves like responsible heavy drinkers. Abby’s veteran top earner is Fred (durable Neil Flynn from The Middle), who gets the opening lines in each of the first three episodes while sporting his former character’s trademark flannel attire in Thursday’s premiere.

The designated interloper is bespectacled Bill (Nelson Franklin), nephew of Abby’s newly deceased landlord. Fresh from a divorce in which ex-wife frisked him of virtually everything, nerd-ish Bill is aghast at discovering what he sees as an illegal watering hole. So, of course, he wants to shut it down before prototypically coming to his senses before Episode 1’s bar time.

Abby’s means everything to Abby, with regulars Beth (Jessica Chaffin) and James (Leonard Ouzts) likewise lost at sea without its inexpensive drinks and camaraderie. Manager Rosie (Kimia Behpoornia) wouldn’t know what to do with herself either in a sitcom that so far doesn’t stray beyond the confines of the bar, its ad hoc parking lot and Abby’s adjacent home.

Episode 2 revolves around “Free Alcohol Day,” in which a liquor saleswoman annually allows patrons free tastes of a new product. But the “all-spice” vodka can barely be choked down while Abby’s previous intimate relationship with the saleswoman has tongues whirring. A third episode made available for review introduces Bill’s ex-wife, Sharon, whose San Diego Padres season tickets are much coveted by Fred and the other regulars. So c’mon, Bill, man up and demand that she give them back. (Why anyone would be this eager to attend Padres games is never addressed.) 

Some of the jokes in Abby’s manage to go down easier than the spiced vodka. But too many of them don’t, including the spectacle of Bill being crowned “Tuna Pope” as a means of sealing his sense of belonging.  

Unlike Cheers, the newcomer has inclusiveness going for it. But the writing is no match at all. In that sense, Abby’s is like San Diego’s reliably nondescript Padres going against the reigning world champion Boston Red Sox, for whom alcoholic Sam Malone pitched before heavy drinking cut his career short.

In that context, look for Abby’s to have a short run while its featured booze hounds need not worry about being cut off.
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Marcia Martin
I saw the live audience, but I heard automated laughing. For that reason I had to turn it off. I've read conflicting articles insinuating that because there's a live audience the laughter isn't a laugh track. If it sounds exactly like a laugh track, it's not watchable for me ...my family agrees. I'm sorry for the cast etc.
Mar 29, 2019   |  Reply
Larry McDonald
Thanks. My reaction exactly. I've given up on CBS sit-coms because of the laugh tracks, now NBC has fallen into that trap.
Mar 30, 2019
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