SUNDAY
JUNE 4
2017

BIANCULLI’S BEST BETS

 

NBC, 7:00 p.m. ET

SERIES PREMIERE: News junkies have been awaiting, or at least anticipating, this new NBC showcase for Megyn Kelly ever since she left Fox News, shortly after she famously quizzed Donald Trump, at that first Republican National Debate (pictured), about his remarks about women. Now she’s got s show of her own, and her opening night guest is another man whose opinions are famously gruff and bellicose: Soviet leader Vladimir Putin.

 
  
 
 

ABC, 8:00 p.m. ET

Game 2. The Golden State Warriors handily trounced the Cleveland Cavaliers in Game 1 of this 2017 series, by a commanding score of 113-91.  But there was a similar blowout victory by the Warriors last year, against these same Cavaliers, and the Cavs ended up winning the trophy. So don’t count out either team yet – not even close. Not even if the first games are not close.

 
  
 
 

HBO, 9:00 p.m. ET

SERIES FINALE: I can’t remember the last time this has happened on TV – so if you can, let me know. Carrie Coon, right now, is at the center of two key investigations on two quality TV series, running on TV at the same time. One is FX’s Fargo, televised on Wednesdays, where she plays a police chief – and the other is The Leftovers, which concludes its series run tonight, with Coon (pictured, with co-star Justin Theroux) playing a woman trying to understand the sudden disappearance of her family by a so-called religious event years ago. This final season has been the show’s best, and even though asking for a clear resolution may not be an optimistic move, expecting a good episode of TV is well within the norm here.

 
  
 
 

Showtime, 9:00 p.m. ET

Episode 5. This series, for example, hasn’t proven itself either way as yet. After four hours, I still don’t have a grasp, or a firm opinion of, this revisitation of the Twin Peaks songbook. There are individual scenes that work, but there are others that are just… there. Tonight, perhaps, the plot lines will advance, and the character of Dale Cooper will begin acting like – well, like the character of Dale Cooper, rather than either a longer-haired Michael Madsen or an almost speechless Chauncey Gardener.
 
  
 
 

Starz!, 9:00 p.m. ET

Episode 6. Ian McShane’s Mr. Wednesday feels increasingly threatened by the new gods – and increasingly determined to defend himself, with a little help from his friends.

 
  
 
 

Showtime, 10:00 p.m. ET

SERIES PREMIERE: This new series is a missed opportunity – a TV series, based on  a nonfiction book about the burgeoning standup comedy scene of the 1970s, rewritten and whitewashed as a fictional work featuring mostly composite characters. The major reason to watch also is the major reason this series should have played it straight, and fact-based: Melissa Leo is a marvel as Goldie, the tough-talking owner of an L.A. comedy club that serves as home base for a parade of aspiring young comics. But Leo’s Goldie, quite clearly, actually is modeled on Mitzi Shore, Pauly Shore’s mother and the owner of L.A.’s Comedy Store. David Letterman, Jay Leno, Robin Williams, Richard Pryor, Sam Kinison, Jim Carrey – they all came up through Mitzi’s center stage. But on I’m Dying Up Here, most of are “approximated,” and written in a way that only approximates a good TV series. Like HBO’s Vinyl, this is a great subject, and an era captured vividly in visual terms, that simply falls flat in terms of story and approach. If you watch, watch for Melissa Leo. This should have been Mitzi Shore’s story for real, with Leo dead center. Perhaps, something closer to Play Mitzi for Me…

 
  
 
 
 
 
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.