MONDAY
JANUARY 22
2018

BIANCULLI’S BEST BETS

 

HBO, 8:00 p.m. ET

MINISERIES PREMIERE: This six-part drama, presented each weeknight this week on HBO (with two episodes Friday), is the latest storytelling exercise and experiment from director Steven Soderbergh. This one, Mosaic, is the story of a dead woman (a children’s book author, played by Sharon Stone) whose death is examined in flashback, with clues provided not only by other viewpoints and investigators, but by complementary information dispensed by apps, short videos and other ancillary factors. It may sound very 2018 – but to me, it sounds more like a retread of 1990, when the popularity of the central Twin Peaks murder mystery led to a cottage-industry spinoff of published diaries and other tangentially connected, officially released bits of business. Co-stars include, somewhat surprisingly, Paul Reubens. For full reviews and features, see David Hinckley's All Along the Watchtower and Ed Bark's Uncle Barky's Bytes.
 
  
 
 

TCM, 8:00 p.m. ET

There are so many people to credit with contributing significantly to this poetic, gorgeous 1979 movie. There’s Melissa Mathison, who crafted the screenplay adaptation, her first, before moving on to a little film called E.T. the Extra-Terrestrial. imagined the original novel about this story of a boy and a horse. Carroll Ballard, who directed The Black Stallion beautifully, and Francis Ford Coppola, its executive producer, who brought the movie to the marketplace with its allegories and long silent passages intact. But most of all, thank cinematographer Caleb Deschanel, the director of photographer whose moving images in this film are precisely that. Deschanel’s other cinematographer jobs include Being There, The Right Stuff, The Natural and Fly Away Home – visual masterpieces all. And right now, the director of photography behind The Black Stallion is working on another movie prominently involving animals: The Lion King.

 
  
 
 

USA, 8:00 p.m. ET

LIVE SPECIAL: For the 25th anniversary of Monday Night RAW, USA is presenting a live retrospective special, emanating from New York and the site of the very first RAW match. How much history, and how many former and current wrestlers, will be part of this party is yet to be determined. What I do know, to my surprise and dismay, is that several of my college students are big wrestling fans, and are looking forward to this special like it’s a new Star Wars movie. Personally, I mention it only for sociological reasons.

 
  
 
 

Fox, 9:00 p.m. ET

Fox is calling this a two-night premiere, but The Resident actually premiered last night, after the NFC Championship Game. It established the level of scriptwriting, which is somewhere beneath House, M.D. but ahead of the current iteration of Grey’s Anatomy – but also established the lead characters, played by such undeniably charismatic actors as Matt Czuchry. Those who watched it last night are likely to return today – and against lesser Monday-night competition, even more viewers may follow. For full reviews, see Ed Bark's Uncle Barky's Bytes and David Hinckley's All Along the Watchtower.
 
  
 
 

TBS, TNT, 9:00 p.m. ET

LIMITED SERIES PREMIERE: This new 10-part TNT drama, simulcast tonight on TNT and TBS, is a period police and medical mystery story, set in 1890s New York, the same basic time and place as a few other dark-leaning TV dramas presented in recent years. Daniel Bruhl stars as a doctor  who’s an “alienist” (a vintage term for a psychologist of sorts, who tried to understand human behavior, however aberrant), Luke Evans plays a sketch artist who documents some mysterious murders of the time, and Dakota Fanning plays a character who’s described as the first female employee of the New York Police Department. Together, in tonight’s pilot, they team up to study a pair of murders that might be connected, in which boys dressing as girls are brutally murdered and butchered. The Alienist looks good, and the period scenery and buildings are persuasively designed – but you could say the same about Deadwood, yet you really, really cared about the characters in Deadwood. So far, not so good with The Alienist – not even close. Based on the 1994 novel by Caleb Carr. For a full review, see David Hinckley's All Along the Watchtower.
 
  
 
 
 
 
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3369 Comments
 
 
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Feb 17, 2026   |  Reply
 
 
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Feb 17, 2026   |  Reply
 
 
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Feb 17, 2026   |  Reply
 
 
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Feb 17, 2026   |  Reply
 
 
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Feb 17, 2026   |  Reply
 
 
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Feb 17, 2026   |  Reply
 
 
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Feb 16, 2026   |  Reply
 
 
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Feb 16, 2026   |  Reply
 
 
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Feb 16, 2026   |  Reply
 
 
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Feb 16, 2026   |  Reply
 
 
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Feb 16, 2026   |  Reply
 
 
 
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.