MONDAY
FEBRUARY 20
2017

BIANCULLI’S BEST BETS

 

CW, 8:00 p.m. ET

This episode of Supergirl imports one of the most popular aliens in the DC Comics canon: the magical imp Mr. Mxyzptlk, a childlike, super-powerful being from another dimension, with the power to pretty much do anything he wants. (Think of him as a precursor of Q from Star Trek: The Next Generation.) Tonight he shows up on Supergirl, not to crush her – but with a crush on her. Which explains why Supergirl finds herself, suddenly, not in her red and blue uniform, but in white – as in, a wedding dress. The episode’s title: “Mr. & Mrs. Mxyzptlk.”

 
  
 
 

HBO, 8:00 p.m. ET

Chris Hegedus and D. A. Pennebaker, two exceptionally celebrated and accomplished documentary filmmakers (their respective resumes include such influential classics as The War Room and Don’t Look Back), combined for this account of the legal fight to free chimpanzees from their cages – not by storming zoos or research facilities, but by going to court, and asking the U.S. justice system to consider “the personhood of non-human animals.” The attorneys make a compelling argument – and court is an unprecedented case to make it.

 
  
 
 

NBC, 10:00 p.m. ET

SEASON FINALE: The Season 1 finale of this show takes the time-traveling crew back to 1954, and the Communist-fearing era of Sen. Joe McCarthy. Spencer Garrett guest stars as McCarthy – and depending upon when in 1954 this story takes place, it might well make room for legendary CBS newsman Edward R. Murrow’s stand against McCarthyism on See It Now – and for the resultant Army-McCarthy hearings, at which Joseph Welch famously asked McCarthy, “At long last, sir, have you left no sense of decency?” A question to remember.

 
  
 
 

A&E, 10:00 p.m. ET

SEASON PREMIERE: This is the fifth and final season for Bates Motel – and knowing this, the producers can plan accordingly, making this last batch of episodes align with events from Alfred Hitchcock’s seminal 1960 film Psycho, which has served as this prequel series’ prime inspiration. That makes these final episodes even more intriguing, especially since Norman (Freddie Highmore) begins the year by installing a new shower curtain. And since his mother, played by Vera Farmiga, died in last season’s cliffhanger. She remains dead… but, in Norman’s mind and in this series, she remains very much alive. The relationship of mother Norma and son Norman, clearly, can transcend even the hurdle of mortality – after all, mom always liked him best.

 
  
 
 

AMC, 10:00 p.m. ET

In last week’s Season 2 premiere, we saw Emily Berrington’s Niska, perhaps the most militant of the synths, avoiding detection by wearing a long red wig, hanging out in dance clubs, and waiting for the right time to infect the Internet with her socially explosive uploads. It’s all intended to spark a reunion, then a revolution. Or, in the case of these hybrid humanoids, an evolution…    

 
  
 
 
 
 
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3485 Comments
 
 
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.