For Better or Werts

WATCH THIS: You are there, except you're not

24 cgi DC before.jpg 24 cgi DC after.jpg

Now you know how TV shows manage to afford the cinematic look of all that location shooting we've been seeing.

They don't.

They're using the cinematic trick of CGI, more and more, in shows ranging from 24 and Heroes to Ugly Betty and Grey's Anatomy.

It's well demonstrated in an amazing "virtual backlot" reel of work from the Stargate Studios computer-imaging folks, streaming here.

Where "green screen" work used to be fairly obvious (and before that, of course, it was cheesy to spot back-projection), the trick is now so seamlessly sneaky that it's stunning to discover when and how it's employed -- even in zooms and other kinds of camerawork that used to be dead-giveaways where the seams showed.

If you're think we're close to the time when an entire show could be produced on virtual sets this way, well, we're there already. That's how Syfy shoots Sanctuary. Before the aliens-among-us saga returns with new episodes this fall, you can watch previous outings online, on DVD, or in on-air repeats (Tuesday mornings at 3 a.m. ET, Friday mornings at 5 a.m. ET, Syfy).

1 Comments

TC said:

Just a side note - Syfy does not shoot Sanctuary, it merely airs the show, it is independently produced by a small Canadian company.

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Diane Werts

Diane Werts has been glued to the tube since she can remember, growing up in a household where the TV came on first thing in the morning and stayed on till bedtime and beyond. She worked for the USA Film Festival, then for The Dallas Morning News writing about everything from Shakespeare to macrame art to rock music (and has the hearing loss to prove it). She moved to New York's Newsday to edit their glossy TV magazine, then returned to writing about television, specializing in its stranger permutations. She's a past president of the Television Critics Association.

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