For Better or Werts

WATCH ONLINE: 'Studs' Place'

Studs Terkel wasn't just a prolific author, grassroots historian and radio personality. The Chicago institution, who died Oct. 31 at age 96, also did some groundbreaking TV work in the medium's infancy.

Now available to view online, Studs' Place was his freewheeling "dramatic equivalent of jazz," as described in this web salute to Terkel's contributions to the laid-back "Chicago school of television."

studs place terkel tv.jpgBack in 1949-51, Terkel invited folks to sit around talkin' in this improvisational slice-of-life about the denizens of a Chicago diner. "Imagine Studs' Place as Cheers without alcohol, without a laugh track and without a script" is the way Rich Samuels' loving appreciation describes it.


"Terkel, arms waving, words exploding in bursts, leaning close to his talking companions, didn't merely conduct interviews," the Chicago Tribune's Rick Kogan wrote of Studs' Place in Terkel's obituary. "He engaged in conversations. He was interested in what he was talking about and who he was talking to."

The series was a precursor to the two careers for which the former radio actor would become best known. In 1952, Terkel began hosting shows on Chicago's WFMT arts radio station, where he could be heard on-air weekdays for 45 years. And in 1967, when he was 55, Terkel became a bestselling author with Division Street: America, collecting the tales of ordinary American workers. (He'd previously written 1957's Giants of Jazz.) He went on to pen Hard Times, Working, The Good War and other oral histories. (You can watch a CSPAN Book TV interview here, conducted last year in Terkel's Chicago home.)

Terkel humbly reflected and recorded a century in the life of everyday Americans, in their own voices. Who will be our next Studs Terkel?

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Diane Werts

Diane Werts has been glued to the tube since she can remember, growing up in a household where the TV came on first thing in the morning and stayed on till bedtime and beyond. She worked for the USA Film Festival, then for The Dallas Morning News writing about everything from Shakespeare to macrame art to rock music (and has the hearing loss to prove it). She moved to New York's Newsday to edit their glossy TV magazine, then returned to writing about television, specializing in its stranger permutations. She's a past president of the Television Critics Association.

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