Serving newspaper readers since 1975... "Fresh Air" listeners since 1985...Rowan University students since 1998... Online visitors since 2007...
Singing the Praises of Fox's "Glee": It's Back, and Even More Delightful

When last we saw the musical misfits of Fox's Glee, they had won the Sectionals, the first step in becoming state champs for their singing glee club. Well, after a few months off, they return tonight (9:27 p.m. ET), basking in their newfound glory -- for about 10 seconds. Then, once again, the reality and cruelty of high school sets in...
The confident swagger of the show itself, though, is obvious and undaunted. Before the opening credits, series creator Ryan Murphy throws more plot twists and turns than most shows generate in an entire episode. Characters return, break up, pair off, square off, all in a briskly choreographed sequence that reintroduces everyone at the same time it moves them to another place.
Most of it I'll keep secret, but one new addition is worthy of note because it's such a cool piece of guest casting. Jonathan Groff, who co-starred in Broadway's Spring Awakening with Glee regular Lea Michele, begins a recurring role as the star of a rival high-school performing troupe who begins romancing Michele's Rachel. They're great together (see their picture at top), as are all this second season's often unexpected pairings.
In tonight's return episode, the music performed ranges from AC/DC's "Highway to Hell" and The Doors' "Hello, I Love You" to the Beatles' "Hello, Goodbye." No complaints -- it's all done with exuberance and flair. And when I praise a TV show using Beatles music, you know it's doing something right.
And next week, when the show and cast tackle the Madonna song catalogue, the unexpected treats, both musical and dramatic, are a giddy TV treat. Jane Lynch as cheerleader coach Sue, and Matthew Morrison as Will, leader of the New Beginnings glee club, are superb antagonists, and the two performers savor the snarky delivery of every traded insult.
This is one show that's really well-named: Glee delivers that very emotion. Lots of it.
2 Comments
Leave a comment
September 2010
August 2010
July 2010
June 2010
May 2010
April 2010
March 2010
February 2010
January 2010
December 2009
November 2009
October 2009
September 2009
August 2009
July 2009
June 2009
May 2009
April 2009
March 2009
February 2009
January 2009
December 2008
November 2008
October 2008
September 2008
August 2008
July 2008
June 2008
May 2008
April 2008
March 2008
February 2008
January 2008
December 2007
November 2007
DAVID BIANCULLI
Founder / Editor
DIANE WERTS
Managing Editor
CONTRIBUTORS
ED BARK
Uncle Barky's Bytes
P.J. BEDNARSKI
I Like to Watch
MARK BIANCULLI
The Son Also Criticizes
TOM BRINKMOELLER
Raised on MTM
BILL BRIOUX
TV Feeds My Family
THERESA CORIGLIANO
Terri TV
ERIC GOULD
The Cold Light Reader
DIANE HOLLOWAY
Holloway's Couch
NOEL HOLSTON
The Grassy Noel
GERALD JORDAN
Crossing Jordan
ED MARTIN
Ed Martin's TV Mix
ERIC MINK
Tiny Tin Voice
ALAN PERGAMENT
Still TalkinTV
Sign up for a
FREE subscription
for TVWW updates
And you have to at least give Fox credit for recognizing the incredible impact this delightful show is having on popular culture by renewing it for 2010-2011 even though Glee's ratings are anything but gleeful.
(And yo, dawg, listen up: even Randy threw Glee a bone when he acknowledged one contestant's recent showy performance as appropriate in a Glee-fueled culture. Do you think the fact that Glee follows Idol is a coincidence?)
DB, something needs to be said. The games that the networks (and some cable channels) play with program start times, like Fox is doing with Glee's "9:27" start, are an insult to their audiences. They repeatedly game their schedules, shoot themselves in the foot with these off-kilter times and then wonder why their audiences stop respecting them and drift away.
And all the old-line broadcast networks do it. ABC with Lost and Dancing With The Stars. CBS with Survivor or The Amazing Race or CSI. NBC with, well, just about everything. (Great example: The Tonight Show and SNL starting 30 seconds ahead of their published schedules. Why? Does that buy them any extra ratings?)
If the TV industry wants to survive long term, they're going to have to pull their heads out of their nether regions and start respecting their viewers again. But I'm not holding my breath.
[Great point. Ted Turner is the one who started this decades ago, when trying to lure viewers to his upstart TBS cable network. He started shows at 8:05 and 8:35 instead of on the half hour, so TV Guide and newspaper listings services would have to give him stand-alone notices. Now, it's all about gaming the Nielsens and screwing up the TiVos. The more things change... -- David B.]