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Nathan Fillion Makes ABC's "Castle" a Comfy Place to Visit


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If you're a Joss Whedon fan -- and all quality TV enthusiasts should be -- you're already sold on Nathan Fillion's roguish charms, thanks to his starring roles as the space cowboy in Firefly and the hammy hero in Dr. Horrible's Sing-Along Blog. In ABC's Castle, anyone who watches should be equally enthusiastic.

Nathan Fillion, in this role no less than his others, is a natural-born TV star...

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He's got the easy manner of a Bruce Willis or a James Garner, with the same gift for playful comedy and arrested adolescence. In Castle, he plays a bestselling mystery author, Rick Castle, who's teamed temporarily - then more permanently -- with a beautiful, tightly wound NYPD detective named Kate Beckett, played by Stana Katic.

The dynamic is a little similar to that of detectives Charlie Crews and Dani Reese on NBC's Life, but not as sharp. Castle creator Andrew W. Marlowe stacks the deck with his odd couple, so that Castle -- at least at the start -- is always right, and Beckett is exasperated but intrigued. Making them more equal would have made the chemistry stronger (and the show better), but Fillion is more than up to carrying most of the load.

"He is like a nine-year-old on a sugar rush," Beckett complains of the womanizing, quick-thinking author. But she's stuck with him anyway, when a series of murders point to someone who's copying the crime scenes in his novels. He's horrified of that -- but he plays poker with a bunch of fellow novelists, and he's a little thrilled to brag to them about it, too.

"In my world," Castle tells her, "that's the red badge of honor. That's the criminal Cooperstown!"

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And in the pilot, there's an extra kick: the authors around his poker table, playing themselves, include James Patterson and Stephen J. Cannell. Cannell, in his TV days, wrote The Rockford Files, and he'd be a natural to write for, as well as appear on, Castle.

Castle's just his type of character -- and Nathan Fillion, like James Garner, is just his type of actor.

And, by the way, Castle could USE some sharper writing, to match the sparkle of its leading man.

3 Comments

DaveW said:

I'll probably take a look at the show because of Fillion, mainly because of his history with Whedon. (He was also a recurring very bad guy in Whedon's Buffy.) Unfortunately the previews make it seem like the show is going to be a lot of sledgehammer wiseass cop stuff of the Bones kind, which I've seen more than enough of. But we'll see.

It's too bad Whedon didn't put Fillion in Dollhouse. He would have fit in perfectly. Oh well.

Comment posted on March 9, 2009 1:13 PM
R. Orr said:

I agree with you that Nathan Fillion is a natural born actor - he's sharp and charismatic - for that reason I tuned into Castle last night. I think Nathan will shine in this role - because he just shines. I don't think Castle has the ability to be a great show (unfortunately, I thought the writing was weak and none of the other supporting characters captured my attention) and if ABC's track record with cop shows hold...it's doomed before it even really begins. Which is unfortunate, because I'd love to see Nathan on tv in a role that would last more than a few episodes. He needs to have a director/writer like Whedon behind him.

Comment posted on March 10, 2009 9:24 AM
Ted Dawson said:

Not that keen on Castle (the show itself), but a big Nathan Fillion fan. Hope it does well for his sake.

Comment posted on December 3, 2009 3:42 PM

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David Bianculli

Behind David in the picture is the first TV owned by his father, Virgil Bianculli, a 1946 Raytheon. (The TV, not his father. His father was a 1923 Italian.)

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air, occasional substitute host for that show's Terry Gross, and teaches TV and film history at New Jersey's Rowan University. His most recent book is 2009's Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour,' and he's at work on another.

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