SUNDAY
SEPTEMBER 9
2018

BIANCULLI’S BEST BETS

 

Fox, 8:00 p.m. ET

SERIES SNEAK PREVIEW: I note the arrival of this new Fox sitcom because a) it’s the first new offering from the broadcast networks that’s an official part of the 2018-19 TV season, which used to be a huge deal but, frankly, just isn’t any more. It’s actually a sneak preview, slipped in after Fox’s Sunday football, and will begin its actual season later this month. And there was a b), right? And b), it’s aggressively average. Not bad, and with a few good lines and bits of business, but nothing that stands out as special. Which, I fear, is what the broadcast networks are aiming to present again this season. Lil Rel Howery, the titular star of this old-fashioned sitcom recorded before a studio audience, comes from NBC’s The Carmichael Show, which went out of its way to address third-rail topics in a comic context – and was cancelled by NBC for its commendable efforts. Rel may end up being as aggressively topical (Jarrod Carmichael is one of this new show’s executive producers), but as it starts out, at least, Rel takes the less bumpy route. It focuses on Rel as a Chicago standup comic whose family life is torn asunder when his wife has an affair, declares the end of their marriage, and takes their two kids and moves to another city. The punch in the initial punch lines? The man with whom Rel’s wife had the affair is – or now was – Rel’s barber. (Talk about the first cut being the deepest…) The barber shows up before episode’s end, and is played cleverly by Eric Lane, who, like Howery and Sinbad (who plays Rel’s dad), has the smooth timing of an accomplished, comfortable standup. (Talk about the first cut being the deepest…) For full reviews, see David Hinckley's All Along the Watchtower and Ed Bark's Uncle Barky's Bytes.
 
  
 
 

PBS, 9:00 p.m. ET

MINISERIES PREMIERE: Part 1 of 3. In this new three-part dramatic import from the U.K., Anya-Taylor Joy plays Nella Oortman, an 18-year-old woman who arrives in Amsterdam in 1686 to begin an arranged marriage with her rich husband, Johannes (Alex Hassell), whom she’s yet to meet. At first, she’s met by his sister instead: Marin (Romola Garai), who presents Nella with an odd welcoming gift. It’s a detailed scale-model replica of the home in which she’s about to reside – and as the story progresses, the interior of this miniature house becomes more detailed, decorated, and foreboding. If it sounds like a period cross between The Handmaid’s Tale and Sharp Objects, that’s because it just might turn out that way. For a full review, see David Hinckley's All Along the Watchtower. Check local listings.
 
  
 
 

HBO, 9:00 p.m. ET

SEASON PREMIERE: The Season 2 premiere of The Deuce jumps forward four years, picking up the action around Times Square and its dreamers and hustlers in 1977. In one sense, it’s a continuation of the ongoing tease by series creators David Simon and George Pelacanos. Last year’s freshman season ended just as Deep Throat was hitting Manhattan movie houses and upending the porn film industry – and Season 2 returns with both that industry, and several of last year’s characters, firmly entrenched. I was eager to see that part of the story, but the second tonight’s Season 2 premiere begins, with Maggie Gyllenhaal’s Candy strutting down the street Saturday Night Fever style, then leading viewers through a long, unbroken camera shot as she penetrates the inner world of New York’s seedier side, I was hooked all over again. For a full review, see David Hinckley's All Along the Watchtower.
 
  
 
 

Showtime, 9:00 p.m. ET

SEASON PREMIERE: For its ninth and final season (which will unfurl in two separated chunks, as The Sopranos did), Shameless returns to the incendiary topics that it played with last season, including the “gay Jesus” movement. And this year, Frank Gallagher (William H. Macy) dives deeper into Chicago politics, a swamp where he should feel extremely comfortable. There are so many excellent actors in this series – and so many great Gallaghers, including Emmy Rossum and Cameron Monaghan – that it’s reasonable to expect Shameless will go out with a bang.

 
  
 
 

Showtime, 10:00 p.m. ET

SERIES PREMIERE: I’m interested by the premise of this series, which has Jim Carrey returning to TV for the first time since 1984’s The Duck Factory, a short-lived NBC sitcom look at the Jay Ward animation shop that made “Rocky & Bullwinkle.” For this new series, Carrey once again frames his comedy around a children’s series – this time playing a beloved, long-running TV host patterned, somewhat, after Fred Rogers. Carrey’s Mr. Pickles is having an existential crisis, mental breakdown, or both, and while Kidding isn’t afraid to go dark, its first steps are a bit too predictable. But the supporting cast, including Frank Langella and Catherine Keener, is strong, and Carrey and the premise deserve a chance to develop. But at first glance, Kidding, created by Dave Holstein, doesn’t leave a very strong initial impression. For full reviews, see Ed Bark's Uncle Barky's Bytes.
 
  
 
 

MGM HD, 10:35 p.m. ET

MGM is showing tonight, as a double feature, two of the strangest, most inventive vampire movies ever made – and both of these movies reward diehard film fans, who are aware that the vampire, in cinema lore, goes back to German director F.W. Murnau’s 1922 silent classic, Nosferatu. That movie was based, in large part, on the Bram Stoker novel Dracula, a decade before Hollywood cast Bela Lugosi as the long-toothed count. In Nosferatu, Max Schrek played the mysterious, ratlike Graf Orlok – and in 2000’s Shadow of a Vampire, the firdst of tonight’s vampire films on MGM, John Malkovich plays director Murnau, and William Defoe plays Schreck. The plot of Shadow of a Vampire is the behind-the-scenes filming of Nosferatu – and its conceit is that Schreck, at the time of filming, was an actual vampire. What a clever concept, and what a wild, wonderful movie. And Shadow of a Vampire is followed, at 12:25 a.m. ET, by 1988’s Vampire’s Kiss, in which Nicholas Cage plays an Eighties book editor who becomes convinced he’s been bitten by a vampire seductress (Jennifer Beals, who’s fabulous), and begins acting accordingly (pictured, with Beals). Specifically, he starts acting, more and more, the way Max Schreck did in Nosferatu. Again, what fun…

 
  
 
 

HBO, 11:05 p.m. ET

Okay, John Oliver, take it away. I can’t explain this latest week of headlines. Perhaps you can…
 
  
 
 
 
 
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.