FRIDAY
AUGUST 9
2013

BIANCULLI’S BEST BETS

 

Encore, 8:00 p.m. ET

This playful 1987 film version of the John Updike novel about a New England coven of modern witches teamed a terrific threesome – Susan Sarandon, Michelle Pfeiffer and Cher – and showed them all falling under the demonic spell of Jack Nicholson, as none other than the Devil. Great casting all around: the women all get to go through memorably chameleonic transformations, and Nicholson, better than almost any actor, can play sinister and seductive at the same time, in equally effective measure.

 
  
 
 

Oxygen, 8:00 p.m. ET

This 1977 comedy, starring George Segal and Jane Fonda, was remade (though not very well) in 2005, starring Jim Carrey and Tea Leoni. But even the remake may have been a few years ahead of its time: The plot has a middle-class, well-off couple suddenly squeezed out of the American dream by rising costs and falling incomes. Dick and Jane react to unemployment and the threat of foreclosure by staging a form of protest – and becoming bank robbers. This film itself is a little heavy-handed, but given the economic headlines of recent years, now seems the right time to revisit it.

 
  
 
 

Sundance, 8:00 p.m. ET

Walter Hill’s 1979 action movie was part parable, part videogame, and part dystopian nightmare. It’s definitely an exercise in excess – a Walter Hill trademark – but it’s also a truly enlightening peek into its period, just before the dawn of the 80s. Michael Beck plays Swan, the leader of a street gang in New York, one of many called to a Central Park super-summit. When the street-gang boss of bosses is assassinated, Swan’s gang, the Warriors, is framed as the killers, and all the gangs in New York seek them out, dead or alive, as the Warriors try to get back to their own neghborhood. It’s the singular visual style of each of these other gangs, from the bat-wielding Baseball Furies to the touch-chick Lizzies, that makes The Warriors seem like such a game-like drama. Each rival gang is a new level, and the only goal is to survive. Ready, set, play…

 
  
 
 

Cinemax, 8:30 p.m. ET

Liam Neeson, action hero, was an idea, and a performance, that caught many by surprise when he starred as the quiet but deadly daughter-seeker (and revenge-seeker) in Taken. By the time this sequel was made in 2012, Neeson had firmely established himself in the genre – and, with this film, revisits both his character and his original dilemma. In the first Taken, his daughter was whisked away by sex traffickers. In this follow-up, Neeson’s Bryan Mills and family are targeted by the father of one of the kidnappers Mills killed the first time around. So, it’s a dad out for revenge again, only this time as the villain.

 
  
 
 

Sundance, 9:45 p.m. ET

This 1971 Stanley Kubrick film, based on the futuristic, linguistically inventive novel by Anthony Bugess, is the film that inspired me to be a professional critic. When this movie came out, I was so disturbed by it, yet so impressed, that I went back many times, just to watch it over and over again, focusing on different elements each time to figure out what Kubrick was doing. What he was doing, I finally figured out, was making a cinematic masterpiece. It starts at the Korova milk bar, and never looks back… Viddy well, my droogies.

 
  
 
 
 
 
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.