SUNDAY
JUNE 9
2019

BIANCULLI’S BEST BETS

 

TCM, 4:00 p.m. ET

This 1953 movie is worth watching at this moment in time for two chief reasons. One is to honor the recent passing of its star, Doris Day, in what for her is a playful change-of-pace role. The other is to compare this conception of the role of Calamity Jane with the infinitely more colorful and quotable one on display in HBO’s very recent Deadwood: The Movie, and in its previous series version, as played brilliantly in both instances by Robin Wiegert. (Who, by the way, will return to TV tonight in the Season 2 premiere of Big Little Lies.

 
  
 
 

CBS, 8:00 p.m. ET

SPECIAL: James Corden, who hosted the Tonys so winningly in 2016, returns to host this year’s show, which includes among its nominated crop such dramas as Aaron Sorkin’s reworking of Harper Lee’s To Kill a Mockingbird and such musicals as Hadestown. Expect a performance featuring the cast of that new musical production, as well as by live tastes of The Cher Show, Tootsie, Ain’t Too Proud, and revivals of Oklahoma! and Kiss Me, Kate. For a James Corden/Tonys retrospect, see our new contributor Mike Hughes', Open Mike.

 

 
  
 
 

NBC, 8:00 p.m. ET

The St. Louis Blues have been in the NHL for more than half a century – 52 years, to be exact – but tonight could win its first Stanley Cup in its long history. The Blues hold a 3-2 advantage over the Boston Bruins in this year’s Finals, and can claim victory with a win this evening in the best-of-seven series. But if the Bruins hold on and even the series, a winner-take-all Game 7 will be held Wednesday.

 
  
 
 

BBC America, 8:00 p.m. ET

Last week’s Season 5 premiere of Luther, in which Idris Elba returned as volatile police investigator John Luther, took the entire hour to bring him face to face with his former nemesis and object of fascination, Ruth Wilson’s Alice Morgan. But when the door was opened just before the credits rolled, and Alice was on the other side – very much alive, much to Luther’s surprise – it set things up for a juicy episode that should pick up in high gear from the very first frame.

 
  
 
 

HBO, 9:00 p.m. ET

SEASON PREMIERE: David E. Kelley, creator of Ally McBeal and Boston Legal, made a dynamic return to television with this 2017 HBO drama, which featured dynamic and nuanced performances from Nicole Kidman, Reese Witherspoon, Laura Dern, Shailene Woodley, Zoe Kravitz, and Alexander Skarsgard. All but Skarsgard are back this year, and anyone who saw Season 1 of Big Little Lies knows why he’s absent. But joining the cast this season, playing the mother of Skarsgard’s character, is the biggest casting coup of all: Meryl Streep. For a full review, see David Hinckley's All Along the Watchtower.
 
  
 
 

Showtime, 9:00 p.m. ET

SEASON FINALE: Last week, it seemed there was a moment where Taylor and Axe might call a truce and put an end to their respective campaigns of revenge. But by the end of the episode, it seemed just as likely they were embarking on a war of mutually assured destruction. And tonight is the Season 4 finale, so this may be the episode where the fur flies and the dust settles. Or vice versa.

 
  
 
 

HBO, 11:00 p.m. ET

So what’s new, John Oliver? Will our favorite former Daily Show correspondent from Great Britain have anything to say, and any special perspective, on President Trump’s recently concluded state visit to England?

 
  
 
 
 
 
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.