MONDAY
JANUARY 8
2018

BIANCULLI’S BEST BETS

 

HBO, 8:00 p.m. ET

DOCUMENTARY PREMIERE: Well, it’s the U.S. premiere, anyway: The Last Five Years, a follow-up by filmmaker Francis Whately’s other Bowie documentary, Live Years, premiered in the U.K. a year ago. But here it is, and for Bowie fans, undoubtedly it will be worth the wait. Whereas Five Years was about five key, non-consecutive years in the singer-songwriter-actor’s career, The Last Five Years is a sequential study of the five years before his 2016 death. And it’s a prolific five years, too. Those are the years in which he emerged from retirement, cut new albums in the studio, and even collaborated on an off-Broadway musical, Lazarus. For a full review, see David Hinckley’s All Along the Watchtower. 

 
  
 
 

TCM, 8:00 p.m. ET

This 1967 movie, based on the “New Journalism” book and approach by Truman Capote, is starkly photographed in black and white, and stark in every other respect as well. Richard Brooks directs, and co-wrote the adaptation himself, which explains all the inventive but never jarring cross-cuts and imagery. It’s the story of the 1953 murders of a Kansas farm family in 1953 – a murder which, in attracting news media and stunning the nation with its meaningless brutality, was to that decade what the Manson murders were almost a generation later. The convicted killers, Perry Smith and Dick Hickock, are played, respectively, by Robert Blake and Scott Wilson – and Blake, the former Our Gang kid from the 1930s and 1940s (and the former Baretta from the 1970s), is amazingly intense, and credible, as Smith.

 
  
 
 

TCM, 2:30 a.m. ET

Another true-crime story shown tonight on TCM, this one is shown late enough that it requires either a time-shifting recording device or insomnia. Either way, it’s worth catching. This 1975 movie is directed by Sidney Lumet, right before he did Network, and has the same sort of crackling urgency and unchecked irrationality as that other great film. Al Pacino stars as a man who attempts a bank robbery in Brooklyn in order to fund his lover’s sex-change operation. John Cazale, in one of his few, equally powerful screen appearances, plays a bank robber lending support, at least at first. But after a while, it’s Pacino’s high-intensity performance all the way, and direction by Lumet that makes the entire movie seem like a documentary. And it was based on fact.

 
  
 
 
 
 
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.