FRIDAY
JANUARY 6
2017

BIANCULLI’S BEST BETS

 

Netflix, 3:00 a.m. ET

SERIES PREMIERE: As television history goes, this is fascinating. Norman Lear, the TV producer whose politically volatile, topic-heavy sitcoms such as All in the Family dominated and altered TV in the 1970s, is still at it at age 94, and has worked with other TV writers and producers to update one of his Seventies comedy hits, One Day At a Time, for a 21st-century audience. It’s still an old-fashioned, Lear-like sitcom, with the same central theme: a divorced mom raising kids and having an occasionally tough time, both economically and emotionally. Back then, the mom was played by Bonnie Franklin – who, in the prior TV decade, was one of the teen girls on Gidget – and her teen TV daughters by Mackenzie Phillips and Valerie Bertinelli. The new Netflix series reshapes the show by presenting it as a Cuban family living in Los Angeles, with a mom raising two kids (this time one girl, one boy) and getting both help and grief from her own live-in mom (played by Rita Moreno, the show’s scene-stealer). Jusina Machado, as the mom, and Isabella Gomez, as her daughter, also enliven this show – but I was more drawn in watching these episodes as a TV historian than as a regular viewer looking for basic entertainment. Sample it once, definitely, to compare and contrast the sitcom differences from 1975 to 2017 – but then, you’re on your own. For full reviews, see David Hinckley's All Along the Watchtower and Ed Bark's Uncle Barky's Bytes.

 
  
 
 

NBC, 8:00 p.m. ET

SEASON PREMIERE: This series has two things in common with the new show Emerald City, which follows it on NBC. It invests more in its visuals than it any coherency of plot – and it doesn’t seem to have enough energy to sustain itself, much less sustain much viewer loyalty. But if you’ve been with these shift-changing soul-poachers from the beginning, here they are again.
 
  
 
 

CW, 8:00 p.m. ET

Tonight this series presents a double feature of original episodes: a mini-mini-marathon of often manic behavior and music.
 
  
 
 

NBC, 9:00 p.m. ET

SERIES PREMIERE: I was looking forward to this lavish new NBC series very much. Then I saw it. The best I can say is that it looks dazzling, and has plenty of images to pack into a powerful TV promo. The series has a few recognizable players, including Vincent D’Onofrio as the Wizard of Oz, but not many – and the script, drawing for inspiration on many of the L. Frank Baum Oz books, goes down more unwelcome detours than shimmering brick roads. What’s impressive, at first, are the images, from the set design and costumes and overall visual flair from director Tarsem Singh. Singh also directed The Cell, the 2000 Jennifer Lopez movie (D’Onofrio was in that, too) that was stunningly beautiful and intricate in terms of its images, but not sufficiently logical or engrossing to really work. Emerald City is the same way: looks great, tastes empty. For a better revisit to the Oz universe, check out the 1985 movie Return to Oz, starring Fairuza Balk as a depressed Dororthy. For full reviews, see Ed Bark's Uncle Barky's Bytes and David Hinckley's All Along the Watchtower.

 
  
 
 

Fox, 9:00 p.m. ET

SEASON PREMIERE: This show is being touted, this season, as having a new season, new partner, and new life. Don’t buy the new life part. Like tonight’s other fantasy offerings, it’s devolved into more of a disappointment. These days, more than ever, both halves of the title apply.

 
  
 
 
 
 
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3419 Comments
 
 
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.