TUESDAY
MAY 5
2020

BIANCULLI’S BEST BETS

 

Netflix, 3:00 a.m. ET

SPECIAL PREMIERE: This standup comedy special, filmed last October at New York’s Beacon Theatre but only now premiering, is a remnant of the pre-corona age. Seinfeld is on stage in front of a sold-out, crammed-in audience. And while Jerry Seinfeld is ranting about perceived slights and minor annoyances, he’s complaining about things that now seem not only quaint, but temporarily unattainable. A buffet in Las Vegas? Seinfeld lists lots of very funny reasons why the buffet is a bad idea… but now, listening to the description, you’re a bit distracted, even wistful, about the entire idea of people lined up, shoulder to shoulder, piling up plates of unrelated foods. He even jokes about how crammed together people live in New York City, and other observations that have added resonance now. But funny? Absolutely.
 
  
 
 

TCM, 8:00 p.m. ET

I saw this 1934 Marlene Dietrich historical drama when I was a college student taking a film course – and now, whenever I teach film at Rowan University, I try to find time to show this same movie, hoping it’ll warp and amaze them now the way it affected me then. Dietrich was Josef von Sternberg’s muse, and he lit and photographed and showcased her in ways that redefined cinematic glamour – and, in this movie about the rise and ruthlessness of Catherine the Great, movie kinkiness as well.
 
  
 
 

HBO, 9:00 p.m. ET

DOCUMENTARY PREMIERE: This biography of actress Natalie Wood is authorized in the most obvious sense, by her family, including two-time husband Robert Wagner, who is interviewed at length anew, by her daughter Natasha Gregson Wagner. What’s not part of this biography, then, is an examination of questions surrounding her death – at least not the rumors that swirl around every so often, about the circumstances about her drowning death off the coast of Catalina, allegedly falling off a boat also occupied by her husband Robert and her current co-star, Christopher Walken. It’s her life, not her death, that’s examined in What Remains Behind. And as such, using lots of vintage interview clips and audio, it’s instructive on those merits alone. For a full review, see David Hinckley's All Along the Watchtower
 
  
 
 
 
 
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3231 Comments
 
 
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Feb 10, 2026   |  Reply
 
 
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Feb 10, 2026   |  Reply
 
 
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Feb 10, 2026   |  Reply
 
 
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Feb 10, 2026   |  Reply
 
 
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Feb 10, 2026   |  Reply
 
 
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Feb 10, 2026   |  Reply
 
 
Halaman ini dikelola oleh para penipu brengsek, hanya berisi kebohongan, janji palsu, dan trik murahan. Hindari orang-orang bodoh ini.
Feb 10, 2026   |  Reply
 
 
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Feb 10, 2026   |  Reply
 
 
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Feb 10, 2026   |  Reply
 
 
Para bajingan penipu ini benar-benar sampah, pembohong keji yang mencuri dari orang-orang yang tidak bersalah. Persetan dengan para penipu kotor ini dan permainan penipuan mereka yang menyedihkan.
Feb 10, 2026   |  Reply
 
 
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Feb 10, 2026   |  Reply
 
 
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Feb 10, 2026   |  Reply
 
 
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Feb 10, 2026   |  Reply
 
 
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Feb 9, 2026   |  Reply
 
 
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Feb 9, 2026   |  Reply
 
 
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Feb 9, 2026   |  Reply
 
 
 
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.