FRIDAY
JULY 3
2015

BIANCULLI’S BEST BETS

 

AMC, 7:45 p.m. ET

Discovery Channel’s Shark Week is attacking on schedule this Sunday, but it wouldn’t be summer without several showings of the ultimate beach movie, the ultimate summer movie, and the ultimate shark movie. Steven Spielberg’s original Jaws, now 40 years old, remains as potent as it ever was. Yes, CGI effects could improve upon the mechanical shark used in this 1975 classic thriller, but had Spielberg had access to those special effects back then, Jaws probably would not have been nearly so terrifying. He had to hide the shark for much of the movie – and what we didn’t see, and supplied with our own imagination, was much more terrifying. He also managed to get astoundingly good performances from his three key players: Roy Scheider, Richard Dreyfuss, and Robert Shaw. They may need a bigger boat – but we’ll never need a bigger summer shark film.

 
  
 
 

Cinemax, 8:00 p.m. ET

Brian de Palma directed this 1987 remake of the classic TV series, and it’s a good time to see it, on Cinemax, with no edits or interruptions. Watch, in particular, for the set piece involving the baby carriage – it’s a detailed homage to the “Odessa steps” sequence from Eisenstein’s 1925 silent classic, Battleship Potemkin.

 
  
 
 

IFC, 8:00 p.m. ET

Edgar Wright directed and, with star Simon Pegg, co-wrote this clever 2004 horror comedy, a genre film that anticipated the current rebirth of the zombie craze. Pegg plays Shaun, a British slacker who is forced to take charge, and help his small band of oddball friends survive a zombie outbreak – and, at the same time, try to reconcile with his ex-girlfriend.

 
  
 
 

Showtime, 8:00 p.m. ET

This 2014 movie, filmed over a dozen years, may not be the lightest entertainment fare with which to kick off a holiday weekend. I’ll give you that. But if you want to fully appreciate the family that may or may not be gathering for the occasion, Boyhood ought to take you there, and to help you appreciate the little everyday life moments to come. Patricia Arquette won an Oscar as the mom here.

 
  
 
 

TCM, 2:30 a.m. ET

Fridays in July are film noir nights on TCM – and in my opinion, the most interesting films (as well as the most recent) are saved for last. At 2:30 a.m. ET, TCM presents The Long Goodbye, a 1973 adaptation of the Raymond Chandler novel. It’s directed by Robert Altman, who brings his offhand realism to the genre’s studied darkness. Elliott Gould (pictured) stars as a modern-day Philip Marlowe, with Nina van Pallandt as the requisite femme fatale, and Sterling Hayden as one of the toughest of the film’s many tough guys. And The Long Goodbye is followed, at 4:30 a.m. ET, by 1969’s Marlowe, with James Garner in the title role, Gayle Hunnicut as the femme fatale, and Carroll O’Connor, just before playing Archie Bunker on All in the Family, as a hard-boiled lieutenant.

 
  
 
 
 
 
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.