SATURDAY
FEBRUARY 3
2018

BIANCULLI’S BEST BETS

 

Encore, 8:09 p.m. ET

For four years, from 2013 to 2017, A&E presented the series Bates Motel, which was called a “contemporary prequel” to Alfred Hitchcock’s 1960 movie classic, Psycho. It starred Freddie Highmore, now starring on ABC’s The Good Doctor, as a young Norman Bates, a boy tiptoeing tentatively into both adulthood and serial-killer tendencies while being both protected and tormented by his clingy mother, Norma (played to unhinged perfection by Vera Farmiga). It was a prequel because it predated, then eventually collided with and continued, the events dramatized in Psycho – and it was contemporary because it had cell phones and modern cars and was set in today’s world, despite remaining true to the Psycho story line of old. And it was a very good series, with excellent performances, that not enough people watched. Bates Motel is available on Netflix now, and I recommend it – but first, I highly recommend you watch this 1960 Hitchcock original, which features Anthony Perkins as Norman and Janet Leigh as a bank robber who crosses his path, -- and also features the original Bates Motel road sign (pictured)…

 
  
 
 

BBC America, 9:00 p.m. ET

I’m continually astounded by this new Blue Planet II series: Quite often, I can’t believe what I’m seeing. And afterward, with the little how-they-filmed-it bonuses at the end of each episode, I can’t believe how they captured what I can’t believe I’m seeing. Tonight, for example, in the vibrantly colored installment called “Coral Reefs,” you can watch an octopus that’s so ingenious that he hides himself from a predatory shark by curling into a ball on the sea floor, while using all eight tentacles to quickly pull shells and shell fragments around him as an instant disguise. Can you see the octopus in this picture?

 
  
 
 

CBS, 10:00 p.m. ET

Tonight’s new 48 Hours, “Death in Deep Water,” revisits a cold case involving a long-deceased movie star. Actress Natalie Wood, a familiar and memorable film presence since befriending a department store Santa in 1947’s Miracle on 34th Street, died suddenly, and somewhat mysteriously, in 1981, in what was called a boating accident in Catalina. The last people to see her alive were the boat’s captain, her then-husband Robert Wagner, and good friend Christopher Walken – and a few years ago, Los Angeles authorities reopened the case, and now have amassed enough evidence, and questions, to frame the narrative in a possibly more sinister bent.

 
  
 
 

TCM, 10:15 p.m. ET

TCM’s annual “31 Days of Oscar” lead-up to the Academy Awards is underway again, and tonight the network is showcasing several of the winners in the Best Cinematography category. One of the most notable of these, 1976’s Bound for Glory, is an evocative biography of folk music icon Woody Guthrie, played by David Carradine. And I associate it, all these years later, as the first film in which I saw the Steadicam camera used, gliding in and above and around scenes like a bird – or, these days, like a drone. (It was, in fact, its cinematic debut.) Gorgeous photography. Poignant, still-pertinent story – and lyrics.

 
  
 
 

NBC, 11:29 p.m. ET

Natalie Portman returns to host Saturday Night Live, after doing such a tremendous job way, way back in 2006. That’s more than a dozen years ago now, but she killed it, specifically in an early Lonely Island musical digital short, “Natalie Raps,” in which she pretends to be her badass, unchecked alter ego during a celebrity interview. What she’ll do this time around, as host, is anyone’s guess, but I’m guessing it’ll be funny, and fully committed. The musical guest tonight, by the way, is another feisty female: Dua Lipa.

 
  
 
 
 
 
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.