SUNDAY
NOVEMBER 29
2020

BIANCULLI’S BEST BETS

 

HBO, 9:00 p.m. ET

MINISERIES FINALE: This complicated story comes to an end tonight – and with only one episode to go, I’m still not convinced where, or with whom, my loyalties should lie. But the acting by Hugh Grant and Nicole Kidman has been a master class in inscrutability and subtlety.
 
  
 
 

Showtime, 9:00 p.m. ET

DOCUMENTARY PREMIERE: Errol Morris directed his first documentary, about a California pet cemetery, in 1978. It was called Gates of Heaven, and I remember watching it at the time, amazed at the uniqueness of both the subject matter and the cinematic approach. Morris has marched to his own, very different drummer ever since, and broke into the big leagues a decade later with 1988’s A Thin Blue Line, which argued that a man had been wrongly convicted of murder – and argued so successfully that the man was freed. Since then, he’s profiled Stephen Hawking in 1991’s A Brief History of Time, Robert S. McNamara in 2003’s The Fog of War, and written A Wilderness of Error, a book that was the basis of a documentary series earlier this year about convicted murderer Jeffrey MacDonald. Including this new documentary, which interviews Swiss author Joanna Harcourt-Smith – and only her, in this very subjective study – about her 1970s romance with counterculture icon Timothy Leary. Remember the lyric from the Hair song “Manchester, England”? One verse goes, “Now that I’ve dropped out / why is life dreary dreary? / Answer my weary query, / Timothy Leary, dearie.” I do. And My Psychedelic Love Story, a tale laced with lots of drugs and paranoia and odd detours (was Leary’s lover a CIA plant?), is exactly the kind of story to attract someone like Morris. And he got to it just in time: his subject, Harcourt-Smith, was interviewed anew by Morris at length for My Psychedelic Love Story, then died last month at age 74. For a full review, see David Hinckley's All Along the Watchtower. 
 
  
 
 

FX, 10:00 p.m. ET

MINISERIES FINALE: This is the final chapter of Season 4 of Noah Hawley’s Fargo, which stars Chris Rock and has built so much momentum and audacity as it nears its conclusion that it's fair, already, to consider it so artistically successful that Hawley, in doing his own stand-alone miniseries riffs on the original Coen Brothers Fargo film, has managed to go 4 for 4.
 
  
 
 
 
 
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.