SATURDAY
APRIL 28
2018

BIANCULLI’S BEST BETS

 

TCM, 8:00 p.m. ET

Every once in a while, TCM digs up a treasure that is unusual and obscure even by that network’s exacting and exhaustive standards. This is such a case: A 1955 science fiction movie made by Britain’s lovingly low-rent Hammer Films studio, starring the equally low-rent American actor Brian Donlevy. The plot, considering that it predates the Soviet Sputnik experiment that launched the Space Race, is somewhat extraordinary. Professor Bernard Quatermass (Donlevy) has launched the first humans into outer space – three trained astronauts. The spacecraft veers off course, but crashes safely in Wimbledon, where the capsule is opened for the first time since takeoff… with only one astronaut remaining aboard. The reason I’ve gone on to such lengths about this film, and its plot, is that they’re written by Nigel Kneale, one of the most important writers in the early history of British television. And get this: Two years before the Hammer Films version, Kneale created his original work, titled the more conventionally spelled The Quatermass Experiment, as a six-part weekly drama,  broadcast live on BBC Television. That version, starring Reginald Tate, was one of the first miniseries ever shown on television (by my count, the third, behind two American TV productions from 1952, a three-part NBC adaptation of Peer Gynt and a multi-part presentation of The Birth and Death of Abraham Lincoln, packaged as part of CBS’s Omnibus.) But whether on live TV or as a 1950s sci-fi movie (retitled, for U.S. distribution, The Creeping Unknown), give Quatermass credit, as I do, for helping to start the entire miniseries genre in general – and Britain’s Doctor Who, which began a decade later in 1963, in particular.

 
  
 
 

National Geographic, 10:00 p.m. ET

Parts 1 and 2. In case you missed the start-up of the second season of National Geographic’s very informative and entertaining biography series, the first two installments of Genius: Picasso are presented tonight, back to back. This series, like its predecessor about Albert Einstein, tracks two timelines simultaneously, with different actors playing the artist as a younger and older man. As the elder Picasso, Antonio Banderas packs all the necessary passion and commitment, regarding women, art and politics. Inspired to paint something about the encroaching rise of fascism in the late 1930s, he announces: “I’m going to need a very big canvas.” The result: the astounding, imposing anti-war masterpiece Guernica. And chapter two begins with Picasso planning and executing another anti-Nazi protest: a daring art heist, on his own house, which has just fallen under Nazi control. And in the show’s earlier time line, as the younger Picasso still reflecting established painting practices, Alex Rich matches Banderas’ artistry stroke for stroke.

 
  
 
 
 
 
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.