FRIDAY
DECEMBER 27
2013

BIANCULLI’S BEST BETS

 

AMC, 12:00 p.m. ET

What a great end-of-year TV present! If you’re averse to shelling out big bucks for the spectacular, recently issued complete-series DVD set of Breaking Bad, here’s the next best, much cheaper thing. Beginning at noon ET, AMC is presenting a marathon showing of the entire series, start to finish. And if you’ve never seen this series (shame on you!), you have to start with the opening scene of episode one. That’s what sold me on the series in the first place – a brilliant starting grabber that never let go. Bryan Cranston, Aaron Paul star, and their chemistry is evident from the start. So to speak.

 
  
 
 

Disney Channel, 8:00 p.m. ET

Amy Adams is appearing in two movies in theaters right now – playing a sultry con artist in American Hustle and a lovelorn documentary filmmaker in Her. Those roles are poles apart, and they’re both very different from her starring role in this 2007 Disney film, a charming comedy about an animated fairy-tale princess who emerges, magically, into the real world, in modern-day Manhattan. She’s fabulous in the role, from her very first appearance, and whether singing, dancing, swooning over Patrick Dempsey or doing all manner of comic double-takes, she’s flawlessly delightful in her first starring film role.

 
  
 
 

TCM, 8:00 p.m. ET

This 1942 Orson Welles movie is being presented tonight as part of TCM’s salute to Hollywood costume designers – but any excuse to catch The Magnificent Ambersons is a good one. Even though Welles’ follow-up to Citizen Kane was taken out of his hands and shaped and edited by others before its release, what remains is another compelling piece of filmmaking. Joseph Cotton, Agnes Moorehead, Anne Baxter star.

 
  
 
 

CW, 9:00 p.m. ET

SERIES FINALE: This series never registered as much more than occasionally diverting action fare on a slow Friday TV night – but Melinda Clarke, as the ruthless trainer-turned-enemy of Maggie Q’s Nikita, certainly injected Nikita with bits of flair and fun. For tonight’s series finale, expect a womano y womano showdown, as Nikita finally confronts Clark’s Amanda face to face. Although, since Amanda has been dabbling with lookalike double agents of late, who knows whose face is real?

 
  
 
 

PBS, 9:00 p.m. ET

As Stephen Sondheim does in HBO’s Six by Sondheim, composer Marvin Hamlisch here, in vintage film and TV clips, explains himself and his music and motivations better than anyone else. Though, in both cases, the “anyone else” group includes some of the biggest luminaries in Broadway and Hollywood. (Here, the roster includes Barbra Streisand, Woody Allen, Quincy Jones, and Christopher Walken.) Hamlisch, who died in 2012, scored hugely by composing A Chorus Line for Broadway, repopularizing the ragtime music of Scott Joplin with his movie score for The Sting, and also wrote the music for The Way We Were. But this American Masters biography by Dori Berenstein digs deeply enough to unearth some equally entertaining surprises. I had no idea, for example, that he was the young composer of an early Lesley Gore hit, “Sunshine, Lollipops and Rainbows.” Check local listings.

 
  
 
 
 
 
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Dave Bianculli
Howdy pardner,

Did you pass out on your keyboard after getting drunk, and then just kept bouncing your head over and over and over???

ROTFFLMBFAO!!!!!!!!!!!!!!!

Seriously dude, watch more TV, drink less alcohol!!!!

Warmly,

Dave
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.