TUESDAY
SEPTEMBER 25
2012

BIANCULLI’S BEST BETS

 

Fox, 8:00 p.m. ET

SEASON PREMIERE: On the second night of the new fall TV season, there’s nothing new to get truly excited about, and even the good returning shows, by and large, are more acceptable than thrilling. That’s certainly the case here, as Zooey Deschanel’s sitcom, now starting its sophomore year, already feels more like an Old Girl. Another new episode is shown at 9 p.m. ET.
 
  
 
 

Fox, 8:30 p.m. ET

SERIES PREMIERE: Sandwiched between fresh installments of New Girl, this new sitcom, from that show’s producers, starts out by introducing an unusual (for TV, that is) central dynamic: a grown sister and brother (played by Dakota Johnson and Nat Faxon), who actually get along. For our collective critical gang’s reaction, see our TVWW Fall TV Preview page. And for a full review, see Ed Bark’s Uncle Barky’s Bytes.
 
  
 
 

CBS, 10:00 p.m. ET

SERIES PREMIERE: Another new series premiere. This one’s a drama, with a good lineage, strong stars (Dennis Quaid and Michael Chiklis), and an intriguing premise: the building of Las Vegas in the 1960s. The premiere episode isn’t that captivating, but the leads maintain momentum, at least for now. For our collective critical gang’s reaction, see our TVWW Fall TV Preview page. And for a full review, see Ed Bark’s Uncle Barky’s Bytes.
 
  
 
 

NBC, 10:00 p.m. ET

Ray Romano, as Hank, has been an instantly valuable asset to this already strong dramatic series – I hope the writers find a way to keep him around, with an increasingly central role. But if not, make sure to enjoy him while we have him. Between this series and Men of a Certain Age, he’s proven he can play drama just as well as comedy, and with just as much empathy and likability.
 
  
 
 

FX, 10:00 p.m. ET

So who’s the most dangerous faction running around in town right now? The Sons of Anarchy, just dispatched for a short prison stay? The other inmates out to kill them? The CIA informants and agents who may or may not have the Sons’ interests at heart? The ruthless new mob boss, played by Harold Parrineau? Or the wounded but not dead Clay (Ron Perlman), who’s down but by no means out? With this crew, and those options, no wonder this FX series is more popular than ever. And, so far this season, more violent.
 
  
 
 
 
 
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3695 Comments
 
 
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Gerda Lundgren
Long-time TVWW devotee here. I manage a commercial vehicle operation and Hialeah Auto Glass Repair (https://autoglassrepairhialeah.com/) keeps our fleet going. Bianculli's picks keep us sane during maintenance delays - essential reading!
Mar 21, 2026   |  Reply
 
Dave Bianculli
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Sincerely,

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Mar 22, 2026
 
 
 
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Another great set of picks! My trucking partners and I share your recommendations over coffee. We rely on West Palm Beach Auto Glass Repair (https://westpalmbeachautoglassrepair.com) for vehicle service. TVWW makes the downtime worthwhile.
Mar 21, 2026   |  Reply
 
 
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Mar 21, 2026   |  Reply
 
 
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Mar 21, 2026   |  Reply
 
 
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Mar 21, 2026   |  Reply
 
 
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Mar 21, 2026   |  Reply
 
 
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Mar 21, 2026   |  Reply
 
 
Arvid Berggren
Long-time TVWW devotee here. I manage a commercial vehicle operation and Colorado Springs Mobile Mechanic (https://coloradospringcosmobilemechanic.com) keeps our fleet going. Bianculli's picks keep us sane during maintenance delays - essential reading!
Mar 21, 2026   |  Reply
 
 
Frida Sundberg
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Mar 21, 2026   |  Reply
 
 
 
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.