SUNDAY
AUGUST 25
2019

BIANCULLI’S BEST BETS

 

TCM, 6:00 a.m. ET

All day and night, Dustin Hoffman is today’s saluted star. The highlights include his shaken Willy Loman in 1985’s CBS adaptation of Arthur Miller’s Death of a Salesman (9:45 a.m. ET), his mousy convict in 1973’s Papillon opposite Steve McQueen (2:45 p.m. ET), his matronly makeover in 1982’s Tootsie(5:30 p.m. ET), and, in prime time, a ridiculously powerful triple feature beginning at 8 p.m. ET: 1967’s The Graduate(pictured), 1976’s Marathon Man (at 10 p.m. ET), and, fittingly arriving at 12:15 a.m. ET, 1969’s Midnight Cowboy.
 
  
 
 

HBO, 9:00 p.m. ET

Last week’s episode had a scene in which a character joked about running for president despite a complete lack of qualifications. The other characters weren’t laughing, and neither was I. But the characters in this show have been defined so sharply, it’s a pleasure to watch them negotiate with and around each other – especially as the CEO power chair is up for grabs, and perhaps heading to an unexpected beneficiary.
 
  
 
 

Showtime, 9:00 p.m. ET

SEASON PREMIERE: This is the final season for The Affair, and it’s the first one without central players Ruth Wilson and Joshua Jackson. On the other hand, it’s the first one with Anna Paquin (pictured), who joins the cast as the daughter of Wilson’s ill-fated character. For a full review, see David Hinckley's All Along the Watchtower
 
  
 
 

Showtime, 10:00 p.m. ET

SERIES PREMIERE: There are singular moments of inspired strangeness in this new series, which stars Kirsten Dunst as the wife of a man trying to sell his suburban Florida neighbors on an Amway-type motivational sales scheme. Really inspired, in fact, like her character’s dusted-off pageant dance routine, which is like a cross between David Lynch and the Muppets. But those moments arrive about once per episode, and the rest of the shows just aren’t sharp enough to match. It’s worth a look, and Dunst absolutely is the engine pulling the entire train – but it’s just not as powerful, or weird, as its promos and premise would suggest. Two episodes are shown tonight, which is more than enough to decide if this is the type of God you’d care to follow. For full reviews, see Ed Bark's Uncle Barky's BytesDavid Hinckley's All Along the Watchtower, and Mike Hughes' Open Mike.
 
  
 
 
 
 
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.