SUNDAY
NOVEMBER 25
2012

BIANCULLI’S BEST BETS

 

PBS, 8:00 p.m. ET

Season 3 of Downton Abbey, featuring Shirley MacLaine, doesn’t premiere until next year – okay, January 6, but still, it’s a wait. In the meantime, here’s a new special, a retrospective that will remind fans what we’ve been missing, and initiate newcomers to what’s about to come. Angela Lansbury hosts. Check local listings.
 
  
 
 

CBS, 9:00 p.m. ET

Last week, Judd Hirsch guest starred as a judge, and gave a typically complex, captivating performance. This week’s new episode presents another guest star who can be counted on to provide the same: Stockard Channing, playing Veronica, the meddling mother of Julianna Margulies’ Alicia. This is her first appearance, but I’m already betting she’ll make more.
 
  
 
 

AMC, 9:00 p.m. ET

Last week’s episode was a strong and pivotal one, taking several formerly disparate story lines – the prison, the Governor’s compound, the nomadic Michonne, Daryl and his brother – and weaving them, like a DNA strand, into one. And it left us with Rick, coming off a mental crisis that was cleverly scripted, staring through the prison fence at a wounded, wordless Michonne. But when she does speak, it’ll lead to a collision of the two camps, and, perhaps, to the two brothers.
 
  
 
 

Lifetime, 9:00 p.m. ET

This is not a recommendation in terms of quality – but this new Lifetime telemovie is fascinating in its own creepy way. It stars Lindsay Lohan as Elizabeth Taylor, and Grant Bowler as Richard Burton. Bowler is convincing in the part, but Lohan isn’t, not for a second. And that becomes fun to watch, in a way, especially when the 1960s show-biz romance wallows in knowing allusions to the present. When the celebrity supercouple is chased by photographers, Lohan’s Taylor shrugs them off as a temporary nuisance. “They’ll find someone else to stalk,” she tells Burton. “You think?” he asks. Drolly, Taylor replies: “Yeah, I think.” And so they have. And while Lohan doesn’t improve her image with Liz & Dick, it has its moments, or at least its seconds. It’s written by Christopher Monger, who wrote the screenplay for one of the best telemovies in recent years, HBO’s Temple Grandin. For a full review, see Ed Bark’s Uncle Barky’s Bytes.
 
  
 
 

Showtime, 10:00 p.m. ET

Last week’s episode ended with a cliffhanger that left us up in the air – or close to it, as Brody (Damien Lewis) was driven to a remote wooden clearing, with a helicopter appearing from nowhere. Its passenger? The elusive, manipulative and very dangerous Abu Nazir (Navid Negahban).
 
  
 
 
 
 
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4483 Comments
 
 
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Aug 19, 2026   |  Reply
 
 
Robin_B
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Aug 18, 2026   |  Reply
 
 
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Aug 18, 2026   |  Reply
 
 
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Aug 18, 2026   |  Reply
 
 
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Aug 18, 2026   |  Reply
 
 
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Aug 18, 2026   |  Reply
 
 
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Aug 18, 2026   |  Reply
 
 
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Aug 18, 2026   |  Reply
 
 
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Aug 18, 2026   |  Reply
 
 
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Aug 18, 2026   |  Reply
 
 
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Aug 18, 2026   |  Reply
 
 
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Aug 18, 2026   |  Reply
 
 
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Aug 18, 2026   |  Reply
 
 
Para penipu ini adalah pembohong profesional. Siapa pun yang mempercayai mereka hanya ikut memperkuat penipuan mereka.
Aug 18, 2026   |  Reply
 
 
Pemerintah Indonesia, persetan dengan situs web ini, mereka menipu orang.
Aug 18, 2026   |  Reply
 
 
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Aug 18, 2026   |  Reply
 
 
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Aug 18, 2026   |  Reply
 
 
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Aug 18, 2026   |  Reply
 
 
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Aug 18, 2026   |  Reply
 
 
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Aug 18, 2026   |  Reply
 
 
 
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.