SEASON PREMIERE: This new season of Gotham, Season 4, moves forward in its character studies, bringing the principals even closer to the costumed heroes, and villains, familiar from the Batman canon. In fact, by the end of next week’s episode, young Bruce Wayne will don a mask, and costume, as he decides to fight evil on the dark streets of Gotham. And this week, we get even bolder power grabs by the people we know, or soon will know, as the Penguin, Catwoman, Poison Ivy and the Scarecrow.

TCM tonight offers an evening of movies about music – not movie musicals, but films capturing the energy and evolution of rock music. And how rapid an evolution it was. The evening begins with 1968’s Monterey Pop, chronicling the first major music festival,1967’s gathering at Monterey, where Jimi Hendrix, Janis Joplin, Otis Redding and others all broke through as major stars. The evening ends, at 1:30 a.m. ET, with 1970’s Woodstock, which famously captured the peace, love, music, drugs and mud at 1969’s Woodstock Music and Arts Festival. In between those two seminal films are two others, the Bob Dylan documentary Don’t Look Back and the Rolling Stones concert movie Gimme Shelter, a disastrous post-Woodstock event that resulted in the murder of a concertgoer, and the death of the peace-and-love Woodstock era. Watch them all. And listen closely.

This third episode of The Orville plays more like a standard episode of Star Trek than anything else – and that’s not a complaint. The plot is pure Sixties-era Trek, with questions asked that are properly allegorical and philosophical. Two crew members have a baby, but there are certain sci-fi twists. The crew members are both male, the child is hatched from an egg, and is born healthy – healthy, but female, which is such a rare and unwanted occurrence in that species’ culture that they ask the ship’s doctor to perform a sex-change operation, and turn their baby girl into a baby boy. It’s a premise that, in the hands of Family Guy creator Seth MacFarlane, could have been played purely for laughs – but it isn’t.

This 1967 documentary film by D.A. Pennebaker follows Bob Dylan on his 1965 concert tour of England. By the time the movie was released, Dylan already had solidified his next musical transformation, and released the groundbreaking, genre-busting, game-changing “Like a Rolling Stone.” But he’s just as potent a force here, too, whether seen mocking Donovan, performing mesmerizingly in concert, or – in the opening filmed sequence – prefiguring both music videos and rap music in his rapid-fire filmed “presentation” of his lyrically dense “Subterranean Homesick Blues.” “Better stay away from those / That carry around a fire hose / Keep a clean nose / Watch the plain clothes / You don’t need a weatherman / To know the way the wind blows…”

In the summer of 1969 came Woodstock, building on the 1967 Monterey Pop Festival and ushering in a new age of multi-act, multi-day musical festivals. This new age didn’t last more than a few months. In Florida, I attended two that year, in West Palm Beach and Miami – in the former, the closing three acts on the final night were, in order, Jefferson Airplane, The Who, and the Rolling Stones. Not too shabby. But then, before 1969 was out, came Altamont, where the Rolling Stones, one of several acts playing or scheduled to play there, sang and played as the Hell’s Angels security force stabbed an audience member to death. This 1970 film, by David and Albert Maysles, presents it all. The music is powerful, the mood satanic, the end of an era undeniable. And a few years later, the Maysles brothers would film another eerie, unforgettable documentary: Grey Gardens.