FRIDAY
JULY 21
2017

BIANCULLI’S BEST BETS

 

Golf Channel, 1:30 a.m. ET

The first day of play at the Royal Birkdale course was an uncharacteristically clear and pleasant one, which helped three players – including former Major winners Jordan Spieth and Brooks Koepka – finish the day five strokes under par, at 65. But day two could bring new weather… and, on this treacherous course in Southport, England, significantly higher scores. For a preview, see Gerald Jordan’s Crossing Jordan.
 
  
 
 

Netflix, 3:00 a.m. ET

SERIES PREMIERE: Many critics are comparing this new drama series to AMC’s Breaking Bad – an unfair comparison, and not only because it sets an almost impossible standard to equal. But comparisons to that and other prestige crime series are unavoidable, as well as unfortunate.  In Ozark, Jason Bateman stars as Marty Byrde, a white-collar Chicago criminal, a money launderer whose connected partner is deeply embroiled with a Mexican drug cartel. Laura Linney plays Marty’s wife, Wendy, and they and their kids seem like a typical middle-class family, like the Walter White clan of Breaking Bad – except that he’s already broken bad, and so has she, having betrayed her husband with an affair that, like Marty’s money-laundering enterprise, quickly leads to murder. The Byrdes pack up and relocate to the Ozark lake in Missouri – part of Marty’s desperate scheme to spare the lives of his family and himself. Marty is portrayed as a guy who can talk himself out of almost any situation, like Saul Goodman on Breaking Bad and Better Call Saul, and is surrounded by unpredictable and unreliable backwoods types, like the transplanted hero of Justified. I really like Bateman as an actor, and Linney too – but their characters, in Ozark, are required to do too many things which stretch or snap credulity to the point where you just don’t care, about them or the show they’re in. And supporting characters are even less believable, as is any sense of overall logic. Linney and Bateman deserve better, and since the entire Season 1 of Ozark already is completed and is dropping today, they can start hunting for something better immediately. For a full review, see Ed Bark’s Uncle Barky’s Bytes.
 
  
 
 

Various Networks, 8:00 p.m. ET

MOVIE PREMIERE: This sequel to the 2015 Disney musical, aimed at and hitting the lucrative but fickle “tween” and pre-teen market, continues the story of the offspring of familiar Disney villains. Mal (Dove Cameron), the purple-haired daughter of Maleficent, reprises her lead role, and China Anne McClain is introduced as Uma, the daughter of Ursula from The Little Mermaid. Disney is hoping to make quite a splash here, by premiering the  Descendants 2 musical simultaneously not only on the Disney Channel, but on sister networks ABC, Freeform, Lifetime and other Disney-owned networks. For a full review, see David Hinckley's All Along the Watchtower.
 
  
 
 

TCM, 8:00 p.m. ET

We’re up to the mid-Fifties in TCM’s month-long Wednesdays and Fridays this month, and that’s Alfred Hitchcock’s sweetest sweet spot. So tune in, strap in, and tonight and next week, wallow in some of the best suspense movies ever made, by Hitch or anyone else. This evening begins with 1954’s Real Window (pictured), an unequivocal classic (and tour de force of celebratory voyeurism) starring James Stewart and Grace Kelly. Also tonight: At 12:15 a.m. ET, The Man Who Knew Too Much, Hitchcock’s 1956 remake of his own 1934 film, which TCM showed earlier this month. James Stewart and Doris Day star – and Day gets to introduce one of her biggest hits, “Que Sera Sera,” worked somehow into the plot of this cinematic remake.

 
  
 
 

PBS, 9:00 p.m. ET

Tonight’s episode is all about “Desserts,” so if you’ve been waiting for this imported baking show to get its just desserts – well, tonight, it’s just desserts. Check local listings.

 
  
 
 
 
 
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.