FRIDAY
SEPTEMBER 20
2019

BIANCULLI’S BEST BETS

 

Netflix, 3:00 a.m. ET

MOVIE PREMIERE: This spinoff movie takes the concept of Between Two Ferns, Zach Galifianakis’ brilliantly awkward fake talk show, and makes a fake documentary about the making of it. On camera, on one of the sequences introducing this new approach, the host refers to it as Behind Two Ferns– and also talks about it as a peek behind his “award-losing talk show.” Scenes with members of the talk show’s support staff, and executives at the local-access operation where Between Two Ferns allegedly is taped, make this movie a cross between Between Two Ferns and SCTV, which is a perfect comedy marriage. It’s like The Larry Sanders Show gone completely off the rails – with equally impressive “real” guests, playing exaggerated versions of themselves. The action starts with a severely annoyed Matthew McConaughey, and goes downhill from there. Which, in comedy terms, is a good thing. Especially when Between Two Ferns goes on the road. “My guest today is Santa Claus with an eating disorder,” he says, introducing a bushy-bearded David Letterman.  And also on board: Keanu Reeves, Benedict Cumberbatch, Brie Larson, Paul Rudd, Chance the Rapper, and lots, lots more.
 
  
 
 

Netflix, 3:00 a.m. ET

SERIES PREMIERE: This international experiment in TV drama takes the same confined setting – a high-tech police interrogation room – and populates it with different sets of actors playing investigators, with each episode devoted to interrogating a different suspect. There are four series in all, and all premiere today on Netflix. Criminal: United Kingdom is the easiest entry point, because it’s all in English, and the defendant in the first case is played by guest star David Tennant. Other series in this global effort include Criminal: Spain, Criminal: Germany and Criminal: France, and they’ll all presented in their original languages, subtitled. (Start with Spain.) Whatever the language, Criminal is in the spirit of such aggressively claustrophobic, purely conversational shows as In Treatment. What it isn’t, clearly, is as artistically dynamic as the police-interrogation TV episode that still stands as the gold standard in this regard: Tom Fontana’s “Three Men and Adena” episode of NBC’s Homicide: Life on the Street. This 1993 episode is more than 25 years old now, and, as an intense extended interrogation scene, remains unbeaten and unequalled. For a full review, see David Hinckley's All Along the Watchtower.
 
  
 
 

Netflix, 3:00 a.m. ET

SEASON PREMIERE: Season 2 of this wild animated Netflix series from Matt Groening and company extends its vision far past the mythical kingdom of the first season, and travels to many other lands. In fact, before this new season is over, Disenchantment, like its heroine, goes to hell and back…
 
  
 
 

HBO, 10:00 p.m. ET

Maher’s scheduled guests tonight include New York writer Andrew Sullivan, who’s been one of this show’s most reliably interesting and often contrarian guests.

 
  
 
 

Comedy Central, 11:00 p.m. ET

Tonight’s guest is someone who rivals the host on the Comic Snark scale: David Spade.
 
  
 
 
 
 
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2876 Comments
 
 
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Dec 21, 2025   |  Reply
 
Dave Bianculli
I don't know what you're smoking Ja-moke, but please pass that pipe over here!!!

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SEriously, we're here to talk about TV, seriously. I am the Professor Emeritus of TV.

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Dave
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Dave Bianculli
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Merry Christmas,

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Dave Bianculli
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Dave Bianculli
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.