MONDAY
APRIL 20
2020

BIANCULLI’S BEST BETS

 

TCM, 8:00 p.m. ET

The TCM Classic Film Festival home edition is over, but that doesn’t mean TCM is through offering clever program packages to its viewers. Jane Russell continues to be TCM’s Star of the Month, so Mondays in prime time are devoted to her movies. Tonight comes a Jane Russell double feature that’s also a Hair Color double feature: 1953’s Gentlemen Prefer Blondes (co-starring Marilyn Monroe, whose musical standouts include her iconic “Diamonds Are a Girl’s Best Friend” number), followed at 10 p.m. ET by 1955’s Gentlemen Marry Brunettes, co-starring Jeanne Crain.
 
  
 
 

AMC, 9:00 p.m. ET

SEASON FINALE: We knew that Bob Odenkirk’s Jimmy McGill, a.k.a. Saul Goodman, couldn’t die in the desert two weeks ago. We also knew he couldn’t die when being threatened by a bigwig cartel thug last week. He has to survive, to be able to go on to his exploits as already dramatized in Breaking Bad. But Rhea Seehorn’s Kim Wexler? Now Saul’s wife? That’s a completely different story. Kim was never even mentioned, much less seen, in Breaking Bad – and every week, as in last week, when she boldly stood up to said cartel thug, I worry about why. This is the season finale to what already has been announced as the penultimate season of Better Call Saul, and I’m afraid, sooner or later – maybe even tonight – Kim will meet a tragic and an untimely end. But another part of me hopes, almost beyond hope, that Kim merely gets fed up with one too many of Jimmy/Saul’s duplicitous moves, and walks away, safely, into the horizon. Why? Because Seehorn and Kim might just be the perfect actor and character on which to build an official continuation of this massively impressive TV saga. There’d be Breaking Bad; its prequel/sequel Better Call Saul; and, hypothetically, its full-out sequel, following Kim in whatever she’s doing in a post-Breaking Bad world. But first, she has to outlive Better Call Saul, and I’m not sure that’s going to be easy. Not with the company she’s keeping…
 
  
 
 

HBO, 9:00 p.m. ET

MINISERIES FINALE: This David Simon-Ed Gross TV miniseries version of the Philip Roth novel ends tonight. Spoiler Alert: If you read the novel, don’t expect things to end with one happy climax after another.
 
  
 
 

AMC, 10:25 p.m. ET

This is the penultimate episode of this series as well, which I don’t like to contemplate. After next week, it won’t be the same fabulous evening of television: no Better Call Saul, no The Plot Against America, and no Dispatches from Elsewhere. Oh, well. The Mamas & The Papas warned us, long ago: Monday, Monday, so good to me / Monday morning, it was all I hoped it would be / Oh, Monday morning, Monday morning couldn’t guarantee / That Monday evening you would still be here with me…”
 
  
 
 
 
 
Read and add comments HERE for today's Best Bets!
 
 
 
 
Leave a Comment: (No HTML, 1000 chars max)
 
 Name (required)
 
 Email (required) (will not be published)
 
EEIPS
Type in the verification word shown on the image.
 
 
 Page: 1 of 204  | Go to page: 
4071 Comments
 
 
Para penipu ini pantas untuk diungkap kebohongan dan kebusukan mereka.
Jul 2, 2026   |  Reply
 
 
https://www.tvworthwatching.com/BestBets.aspx?year=2016&month=6&day=3
Para penipu ini mengira orang-orang itu bodoh. Modus penipuan yang sama, omong kosong yang sama.
Jul 2, 2026   |  Reply
 
 
Para penipu ini mengira orang-orang itu bodoh. Modus penipuan yang sama, omong kosong yang sama.
Jul 2, 2026   |  Reply
 
 
Ini peringatan terakhir, selanjutnya jika saya melihat situs web Anda lagi, saya akan menghancurkan Anda.
Jul 2, 2026   |  Reply
 
 
Para penipu ini adalah pembohong profesional. Siapa pun yang mempercayai mereka hanya ikut memperkuat penipuan mereka.
Jul 2, 2026   |  Reply
 
 
Para penipu ini pantas untuk diungkap kebohongan dan kebusukan mereka.
Jul 2, 2026   |  Reply
 
 
Hanya sekelompok penipu lain yang melakukan bisnis kotor secara online.
Jul 2, 2026   |  Reply
 
 
Pemerintah Indonesia, persetan dengan situs web ini, mereka menipu orang.
Jul 2, 2026   |  Reply
 
 
Layanan palsu, ulasan palsu, janji palsu—100% sampah penipuan.
Jul 2, 2026   |  Reply
 
 
Layanan palsu, ulasan palsu, janji palsu—100% sampah penipuan.
Jul 2, 2026   |  Reply
 
 
Para bajingan penipu ini benar-benar sampah, pembohong keji yang mencuri dari orang-orang yang tidak bersalah. Persetan dengan para penipu kotor ini dan permainan penipuan mereka yang menyedihkan.
Jul 2, 2026   |  Reply
 
 
Halaman ini dikelola oleh para penipu brengsek, hanya berisi kebohongan, janji palsu, dan trik murahan. Hindari orang-orang bodoh ini.
Jul 2, 2026   |  Reply
 
 
Manusia sampah sejati, memangsa orang-orang tak berdosa hanya untuk mengisi kantong mereka yang serakah. Sungguh memalukan.
Jul 2, 2026   |  Reply
 
 
Penipu sejati, persetan denganmu, jalang!
Jul 2, 2026   |  Reply
 
 
Penipu berkualitas rendah tanpa integritas dan penuh kebohongan.
Jul 2, 2026   |  Reply
 
 
Para penipu yang memalukan memangsa orang-orang dengan klaim palsu dan kebohongan.
Jul 2, 2026   |  Reply
 
 
Para bajingan ini tidak punya rasa malu sama sekali, menipu orang-orang yang tidak bersalah setiap hari.
Jul 2, 2026   |  Reply
 
 
Hanya kebohongan dan taktik penipuan. Buang-buang waktu dan uang saja.
Jul 2, 2026   |  Reply
 
 
Penipu berkualitas rendah tanpa integritas dan penuh kebohongan.
Jul 2, 2026   |  Reply
 
 
Bajingan keparat, akan kupukul pantatmu dengan sangat keras!
Jul 2, 2026   |  Reply
 
 
 
 Page: 1 of 204  | Go to page: 
 
 

David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.