FRIDAY
NOVEMBER 2
2018

BIANCULLI’S BEST BETS

 

Amazon Prime Video, 3:00 a.m. ET

SERIES PREMIERE: Based on a scripted podcast from 2016 starring Catherine Keener and Oscar Isaac, this new TV series is overseen and directed by Mr. Robot creator Sam Ismael, and stars Julia Roberts and Stephan James, with supporting parts for Bobby Cannavale, Sissy Spacek, Shea Whigham and Jeremy Allen White. Homecoming is the name of a mysterious therapy institute for returning soldiers from Afghanistan and elsewhere, with Roberts playing a therapist and James one of her patients. But in a future timeline, Roberts, as the same character, is a waitress with no memory of her time at Homecoming, and with Whigham as an investigator trying to find out what happened there. The 10 episodes, most of them 30 minutes or less, unspool briskly, and the sense of paranoia is comparable to that in such classic Seventies as The Parallax View and Klute. (Oddly, so is the music.) For my full review on NPR’s Fresh Air with Terry Gross, listen to the show today, or visit the Fresh Air website later this afternoon. And for reviews here on TVWW, see Ed Bark's Uncle Barky's Bytes and David Hinckley's All Along the Watchtower.
 
  
 
 

Netflix, 3:00 a.m. ET

SEASON PREMIERE: How can House of Cards carry on without its central character, Frank Underwood, due to the scandal-enforced absence of star and former executive producer Kevin Spacey? Watch and see. It shifts the focus, and the power, to Frank’s wife, Claire, played by Robin Wright. She’s up to the challenge, and ascends like Lady Macbeth finally given her moment. She even takes over the role of breaking-the-fourth-wall narrator, albeit unreliably. And the absence of Frank hangs over the plot, and the series, like a ghost, as well it should. But the unexpected surprise here is the co-starring role by Diane Lane, as an old friend and political wife who re-enters Claire’s orbit. Wright has the spotlight in this new season of House of Cards – but Lane steals it. For a full review, see Ed Bark's Uncle Barky's Bytes.

 
  
 
 

Netflix, 3:00 a.m. ET

DOCUMENTARY PREMIERE: Morgan Neville’s previous documentary, Won’t You Be My Neighbor?, was a fabulous appreciation and examination of children’s TV host Fred Rogers. (I appear in it briefly as a TV historian, but the movie’s terrific despite that small flaw.)  Now his new documentary, They’ll Love Me When I’m Dead, is a meticulous and utterly fascinating examination of Orson Welles’ final work in progress, a partly improvised drama called The Other Side of the Wind, about a film being made by an aging, once-powerful director. Neville approaches this like a detective, and tracks down old footage, older TV appearances, and Welles associates who give fresh interviews – including such unexpected but key witnesses as believe it or not, Rich Little. It’s another home run by Neville, and ranks alongside such great documentaries about unfinished films as 1965’s The Epic That Never Was (about Charles Laughton’s never-completed I, Claudius) and 2002’s Lost in La Mancha (about Terry Gilliam’s just-finished epic take on Don Quixote). And it really, really makes you want to see a finished assemblage of The Other Side of the Wind. And guess what?...

 
  
 
 

Netflix, 3:00 a.m. ET

MOVIE PREMIERE: Assembled after more than half a century, this newly compiled version of Orson Welles’ weird movie vision – a sort of cross between 8 ½ and Curb Your Enthusiasm – is available today on Netflix. Watch They’ll Love Me When I’m Dead, Morgan Neville’s documentary about this long-unfinished film, first (it also drops today on Netflix), then watch this. An amazing, wild double feature.

 
  
 
 

History, 9:00 p.m. ET

DOCUMENTARY MINISERIES PREMIERE: A new multi-part documentary about Watergate, by Inside Job director Charles Ferguson? What possible relevance does that have today? Oh, wait. Never mind… Better watch it, just in case past, as it so often is, is prologue. For a full review, see David Hinckley's All Along the Watchtower. 

 
  
 
 

HBO, 10:00 p.m. ET

Tonight’s scheduled guests include – and this is rare enough to single out – Barbra Streisand.

 

 
  
 
 
 
 
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.