SATURDAY
SEPTEMBER 19
2020

BIANCULLI’S BEST BETS

 

NBC, 11:00 a.m. ET

If you care – and if you want to watch a major golf tournament without much of a gallery – today is Day 3 of the 2020 U.S. Open. This year, I don’t care, and I won’t be watching.
 
  
 
 

Vice, 7:00 p.m. ET

Most of the college students in my Rowan University classes this term were not yet born when this Coen brothers movie was released in 1998. That was 22 years ago now, when Jeff Bridges starred as the cinema’s most iconic slacker detective. Dude!
 
  
 
 

Freeform, 7:10 p.m. ET

Two delightful full-length animated Pixar films are shown as a double feature tonight on Freeform. First, at 7:10 p.m. ET, is 2009’s Up, starring Ed Asner as a crotchety retiree, the kind of Clint Eastwoody guy who screams, “Get off my lawn!” – until he uses a bunch of balloons to lift his house off his own lawn (pictured). Then, at 9:15 p.m. ET, comes 2007’s Ratatouille, Brad Bird’s movie about a rat in Paris (played by Patton Oswald) who loves the kitchen – not as a place to scrounge, but as a place to cook.
 
  
 
 

HBO, 8:00 p.m. ET

When Universal Pictures decided to re-reboot its classic horror franchises from the 1930s – featuring the iconic characters of Frankenstein, Dracula, the Mummy and the Wolf Man – their first time at bat was with the 2017 movie The Mummy, starring Tom Cruise. It was largely faithful to the overall narrative of the original film, with a screenplay by accomplished screenwriters David Koepp (Jurassic Park, the first Mission: Impossible) and Christopher McQuarrie (The Usual Suspects). Don’t remember it? That’s why Universal took the franchise away from Tom Cruise and company (both Koepp and McQuarrie had written movies for him), and teamed up with Blumhouse, a company with a better track record – at least in terms of box office – with horror franchises. Cases in point: Paranormal, The Purge, and Insidious. And for its first time at bat, knowing that it might not get a second without a success, it selected The Invisible Man as its film subject, and hired as its writer-director Leigh Whannell, who wrote not only the first Insidious, but the first three Saw movies. And his approach to The Invisible Man was anything but reverent: He decided to make the title character the villain, not the hero, and to have him use his powers of invisibility to fake his own death and harass and unhinge his ex-wife. And before you dismiss this movie because of its Blumhouse-Saw connections, note that Whannell was smart enough to hire, as the victimized yet resourceful ex-wife, Elisabeth Moss of Mad Men, who already has slam-dunked her genre roles in both The Handmaid’s Tale and Jordan Peele’s Us. This new Invisible Man was released earlier in 2020, but was one of the first films pulled from theatrical release after the pandemic began, and offered as a Movie on Demand as a streaming premiere. We’ve been in seclusion so long that The Invisible Man has made it to its post-release premium cable window of distribution, and has its non-streaming TV premiere tonight on HBO.

 

 
  
 
 
 
 
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4484 Comments
 
 
Such a well-researched and thoughtful post! I enjoyed reading every bit of it. Your expertise really shines through.
Aug 21, 2026   |  Reply
 
 
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Aug 18, 2026   |  Reply
 
 
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.