MONDAY
JUNE 19
2017

BIANCULLI’S BEST BETS

 

Acorn TV, 3:00 a.m. ET

SERIES PREMIERE: Acorn TV will roll this series out weekly, as the latest British import (in the U.K., it was shown as The Loch) offering streaming viewers a chance to catch another across-the-pond mystery with local scenery, characters, flavor, and intrigue. This time it’s Scotland’s Loch Ness, home of the famed, elusive Loch Ness Monster purported to live deep in its depths. The opening scene of Loch Ness shows us a different mystery at the loch floor: a dead body, floating vertically at the bottom of the lake, anchored there with its feet tied to a curling stone. And then we cut right to a curling club, where the show’s protagonist, local detective Annie Redford, is rolling a curling stone and yelling some of those incomprehensible syllables that curlers seem to shout at the Winter Olympics. Then there’s a fake Loch Ness monster “corpse,” followed by a real corpse found below the cliffs at the loch. And, as the capper, Annie is played by Laura Fraser, who played the evil Lydia on Breaking Bad – and who just showed up last week, as the same character, in its prequel, Better Call Saul. A Bad and Saul connection? The Loch Ness monster? Curling? Is it any wonder that Acorn’s new Loch Ness, from the start, has a loch on my imagination? For full reviews, see Ed Bark’s Uncle Barky’s Bytes and David Hinckley's All Along the Watchtower. 
 
  
 
 

CW, 9:00 p.m. ET

This show isn’t what you’d call appointment television. But it’s such fun television – and so innocent, even when it’s being a little PG-rated naughty – that it’s the kind of show you can watch as a family without embarrassment, and enjoy thoroughly. And the antics of these improv comics invariably make me laugh out loud, an accomplishment very few actual scripted comedies these days manage to achieve.

 
  
 
 

AMC, 10:00 p.m. ET

SEASON FINALE: We critics here at TVWW often agree to disagree, in a congenial clash of opinions that encourages frank but civil discussions of our opinions of television. Better Call Saul is a perfect example. David Hinckley has a new All Along the Watchtower column in which he admits to not caring much about the season finale of Saul because, he argues, there’s no one worth rooting for. Yet my reaction is so different that I consider Saul, even more than Fargo, this season’s very best drama – and it’s one I watch with heightened anticipation each week. I’m rooting for almost everyone, and rooting, most of all, for the story to take me to unexpected places, while arriving inevitably at its Breaking Bad “conclusion.” Last week ended with a shockingly abrupt car accident derailing Rhea Seehorn’s Kim (what a great final shot, pictured), and hinting at an aggressive lawsuit filed by Chuck McGill (Michael McKean), the unsupportive older brother of Bob Odenkirk’s Jimmy. Both are characters who were never mentioned in the Breaking Bad series – and both are invaluable additions to this prequel backstory. How will they react to their respective adversities in tonight’s Season 3 finale? And how will Jimmy, soon to become Saul, react to them both?
 
  
 
 

TCM, 10:15 p.m. ET

Audrey Hepburn Mondays on TCM this month continue, and tonight the schedule includes one of her best, and darkest, roles. In 1967’s Wait Until Dark, she plays a blind woman who runs afoul of, and eventually becomes terrorized by, a ruthless drug smuggler, played by a young, scary Alan Arkin. This movie thrilled me as a kid – and since it’s a thriller, that reaction was entirely appropriate. Watch it now: It still works perfectly, and there’s still one scene, set in almost total darkness, that’s utterly brilliant as pure cinema.

 
  
 
 

AMC, 11:16 p.m. ET

SPECIAL: I don’t usually recommend these talking postmortems in Best Bets – but after a season finale, when we’re likely to hear from series creators Vince Gilligan and Peter Gould themselves, I’ll happily make an exception. And these Saul deconstructions are rare: Instead of being televised after every episode, host Chris Hardwick has shown up to preside over a Talking Saul only twice this year: Once for the season premiere, and again tonight.
 
  
 
 
 
 
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.