TUESDAY
SEPTEMBER 18
2018

BIANCULLI’S BEST BETS

 

Netflix, 3:00 a.m. ET

SPECIAL PREMIERE: D.L. Hughley, like seemingly every other standup comic in America, gets his own Netflix special. But Hughley is clever enough to do something special with his special, so check it out. This one is partly autobiographical, partly topical – and, at times, intentionally confrontational.

 
  
 
 

NBC, 8:00 p.m. ET

SEASON FINALE: These are the live finals, with the performers who have made it all the way to the end getting one last chance to push to the front of the line. And tomorrow night, on live TV, the winner is announced. I note this for the benefit of those who, unlike myself, care.

 
  
 
 

TCM, 8:00 p.m. ET

One of this month’s special spotlight series on TCM is devoted to “The Black Experience on Film,” and tonight that series presents some early, important works with extremely noteworthy on-screen talent. At 8 p.m. ET, the prime-time salute begins with 1954’s Carmen Jones, a black modernization of the Bizet opera, starring Dorothy Dandridge, pictured with Harry Belafonte, as the sultry Carmen. (Her singing voice was dubbed by opera star Marilyn Horne; decades later, when MTV adapted the story yet again with what it called Carmen: A Hip Hopera in 2001, the lead was a very young Beyoncé, who did her own singing.) At 10 p.m. ET, another musical appears: 1943’s Cabin in the Sky, a wild yet playful story about a heavenly (and hellish) battle for a man’s soul, with a cast that includes Ethel Waters, Eddie “Rochester” Anderson, Louis Armstrong, and a sizzling Lena Horne.  (Armstrong sizzled too, but by blowing his horn; Horne did it by singing and dancing.)  And at midnight ET, there’s 1947’s New Orleans. Armstrong is in this movie, too – and so is Billie Holiday.

 
  
 
 

NBC, 10:01 p.m. ET

The NBC series This Is Us won only one Emmy this year – Guest Actor in a Drama Series, for Ron Cephas Jones (pictured) – but NBC confidently scheduled this special the night after the prime-time Emmy Awards show anyway. And it’s not a bad idea, or a bad show. Besides, only one series from a broadcast network won any major Emmy last night: NBC’s Saturday Night Live, which won for Outstanding Variety or Sketch Series. And that was it. Best drama, comedy, actors and actresses – all went to cable or streaming show. That “Broadcast Networks Are Dying” graffiti? It’s the writing on the wall. And SNL series creator Lorne Michaels, defiantly delivering an “I’m Still Standing” acceptance speech on behalf of the broadcast networks, failed to note that, last night, he stood alone, flanked and swamped by Netflix, Amazon, HBO and the like…

 
  
 
 
 
 
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.