SUNDAY
AUGUST 17
2014

BIANCULLI’S BEST BETS

 

TCM, 8:00 p.m. ET

Alfred Hitchcock’s 1944 character drama and wartime thriller, based on a story by John Steinbeck, featured one of the most interesting technical challenges of Hitchcock’s entire career. How do you maintain the drama and suspense of a movie when the entire thing takes place in the confines of a single lifeboat at sea, after a ship is torpedoed by a WWII German U-boat? Just watch closely, and you’ll see. William Bendix, Tallulah Bankhead star. And watch closely, too, for how Hitch sneaks his already anticipated cameo appearance into a movie where it doesn’t seem there would be any way he could do so, given the confines of the plot and setting. How does he do it? When William Bendix is holding a newspaper, look closely at the model in the “before” and “after” weight-loss ad. Priceless.

 
  
 
 

HBO, 9:00 p.m. ET

This is the penultimate episode of True Blood, and boy, is it satisfying. The emphasis this week is on character, not action, and we get a lot of well-written, well-acted scenes, usually involving familiar characters in relatively unfamiliar pairings. But there’s a lot here that long-time fans will enjoy, all while ramping up to a tense cliffhanger showdown for next Sunday’s series finale. Key supporting actors Ryan Kwanten as Jason Stackhouse, and Deborah Ann Woll as young vamp Jessica, are showcased especially well in heartwarming scenes – though not, it should be noted, at the same time.

 
  
 
 

FX, 10:00 p.m. ET

The more the evil spreads in this series, the creepier it gets – and I wouldn’t have thought, after watching the first four episodes, that The Strain could get much creepier. I was wrong. The visuals tonight are right up there with the most vividly scary TV horror moments from American Horror Story – and then some.

 
  
 
 

WGN America, 10:00 p.m. ET

The tension has been building steadily on this series from the start, especially between the scientists and the MPs on the secret scientific camp at Los Alamos, where the atomic bomb is being developed in a desert of intellectual rivalries and emotional paranoia. On tonight’s episode, the whole thing turns explosive, and not just figuratively.

 
  
 
 

HBO, 11:00 p.m. ET

We’re closing in on the final month of shows by John Oliver this season, and give the man credit for finding a unique approach, as well as comic voice, in that short a time. Oliver, in this series, has done something so many times that it has to be considered a design rather than a happy accident. He’s taken the Sunday night placement of his Last Week Tonight series and utilized it the way newspapers (you remember newspapers) used to devote extra space and time on special Sunday stories. As a result, a piece on the week’s featured topic can run well past 10 minutes of air time, and allow Oliver to approach it from several angles, offering insight as well as punch lines along the way. So keep watching – as with his Comedy Central colleagues Jon Stewart and Stephen Colbert, he’s educating as he’s commenting. And to those who are alarmed by the prospect that many of today’s young viewers get most of their news from the likes of these three TV comics, my response is this: Even if that’s true, those young viewers could do a lot, lot worse.

 
  
 
 
 
 
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.