WEDNESDAY
JANUARY 17
2018

BIANCULLI’S BEST BETS

 

BBC America, 9:00 a.m. ET

Continuing its buildup to this Saturday’s premiere of Blue Planet II – which, by the way, I recommend as enthusiastically as I recommend anything – BBC America today presents a marathon repeat of yet another of its previous nature documentary triumphs, 2007’s Planet Earth: Life. All 10 episodes are shown, in order, then repeated again beginning at 8 p.m. ET. Sir David Attenborough, the best in the business, narrates.

 
  
 
 

Fox, 8:00 p.m. ET

Tonight’s new episode is called “Plus One,” and is about people who fear they are being followed, and maybe even stalked, by their own doppelgangers. And our intrepid investigators, Mulder and Scully, are not immune to this particular paranoia. Except it may not be paranoia, if the lookalikes they imagine aren’t really imaginary…

 
  
 
 

Comedy Central, 10:00 p.m. ET

SERIES PREMIERE: This new 10-episode comedy series goes where one classic workplace sitcom, The Office, has gone before. But this one promises to be even darker. Matt Ingebretson and Jake Weisman, two of the show’s creators (director Pat Bishop is the other), star as unhappy, overworked, underappreciated office drones. Just asking: Are there any other kind?

 
  
 
 

FX, 10:00 p.m. ET

SERIES PREMIERE: This is FX’s, and Ryan Murphy’s, follow-up to the first American Crime Story outing, the excellent The People v. O.J. Simpson. The anthology nature of this umbrella series is pursued aggressively: This second presentation is a very different type of story, told very differently. And as such, it’s less effective and involving dramatically – the murder of fashion icon Gianni Versace hardly compares, in terms of impact, to the O.J. murder trial. And by focusing primarily on Versace’s killer, Andrew Cunanan, this American Crime Story is more about the crime than the trial, and less compelling by comparison. Darren Criss plays the killer, Edgar Ramirez the victim, and the show’s biggest stars, though not with the biggest roles, are Ricky Martin and Penelope Cruz, portraying, respectively, Versace’s lover and sister. Cruz makes the most lasting impression, but in a relatively small role. For a full review, see Ed Bark's Uncle Barky's Bytes.

 
  
 
 

TBS, 10:30 p.m. ET

Can the Bee make sense of this week’s headline-grabbing S-word? C D B. D B S A B Z B…

 
  
 
 
 
 
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4483 Comments
 
 
Adams
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Aug 19, 2026   |  Reply
 
 
Robin_B
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Aug 18, 2026   |  Reply
 
 
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Aug 18, 2026   |  Reply
 
 
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Aug 18, 2026   |  Reply
 
 
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Aug 18, 2026   |  Reply
 
 
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Aug 18, 2026   |  Reply
 
 
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Aug 18, 2026   |  Reply
 
 
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Aug 18, 2026   |  Reply
 
 
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Aug 18, 2026   |  Reply
 
 
Penipuan murahan yang berpura-pura sah. Jangan sampai tertipu.
Aug 18, 2026   |  Reply
 
 
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Aug 18, 2026   |  Reply
 
 
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Aug 18, 2026   |  Reply
 
 
Para penipu ini adalah pembohong profesional. Siapa pun yang mempercayai mereka hanya ikut memperkuat penipuan mereka.
Aug 18, 2026   |  Reply
 
 
Para penipu ini adalah pembohong profesional. Siapa pun yang mempercayai mereka hanya ikut memperkuat penipuan mereka.
Aug 18, 2026   |  Reply
 
 
Pemerintah Indonesia, persetan dengan situs web ini, mereka menipu orang.
Aug 18, 2026   |  Reply
 
 
Pemerintah Indonesia tangkap situs web sialan itu
Aug 18, 2026   |  Reply
 
 
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Aug 18, 2026   |  Reply
 
 
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Aug 18, 2026   |  Reply
 
 
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Aug 18, 2026   |  Reply
 
 
Penipu berkualitas rendah tanpa integritas dan penuh kebohongan.
Aug 18, 2026   |  Reply
 
 
 
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.