SUNDAY
AUGUST 16
2020

BIANCULLI’S BEST BETS

 

TCM, 6:00 a.m. ET

We’re only halfway through TCM’s “Summer Under the Stars” August salute, but I’m already embarrassed to admit how much time I’ve spent multi-tasking while these 24-hour cinematic movie-star binges keep me company. And today, the star in question is so luminous, I know in advance I’ll be spending many more hours with TCM. That’s because the star is Cary Grant, and the films shown today include 1938’s Bringing Up Baby (with Katharine Hepburn) at 10 a.m. ET, 1940’s His Girl Friday (with Rosalind Russell) at 11:45 a.m. ET, and two of my absolute favorite films, 1944’s Arsenic and Old Lace (3:45 p.m. ET) and 1963’s Charade (10 p.m. ET), which co-stars an equally entertaining Audrey Hepburn. Watch as many as you like, and more, but don’t miss Charade (pictured), a fabulous mystery story, and love story, and comic and thriller, all rolled into one, with Paris as the luminous background. I know won’t miss it.
 
  
 
 

Showtime, 8:00 p.m. ET

MIDSEASON PREMIERE: Season 5 of this timely political documentary returns with an installment called “The New Abnormal,” and returns the very week the Democrats have solidified their proposed presidential ticket for 2020, with Joe Biden selecting Kamala Harris. But it returns with quite a difference. Until now, The Circus has been distinguished by two elements that, for the short term at least, henceforth will be drastically minimized. One is an exhaustive itinerary of cross-country travel, so that correspondents John Heilemann, Mark McKinnon, and Alex Wagner can attend rallys and press conferences, meet with political heavyweights, and follow and react to the week’s news. This new Circus, I’m certain, will embody a lot less physical travel. And the other element that I suspect will be quite different is the formerly ritualistic meeting at some beloved restaurant in Washington, New York or elsewhere, where the stars of The Circus would set up the week’s presumed major stories and conflicts while consuming food that invariably was photographed, served and consumed with what can only be described as food porn. Actually, I may miss that the most, and I only got to watch it, not taste or smell it….
 
  
 
 

HBO, 9:00 p.m. ET

MINISERIES PREMIERE: This 10-part miniseries, based on the novel by Matt Ruff and expanded substantially and cleverly by writer and showrunner Misha Green, is something to add to your must-see viewing list. Each episode may end up reminding you of a different movie or genre – I’ve only seen five of the 10 installments, and already have seen sly nods to everything from Poltergeist to Raiders of the Lost Ark. Yet Lovecraft Country also has its own sensibility, and a refreshing focus, in the horror genre, on making its protagonists either African-American, or female, or both. Jonathan Majors stars as the Korean War vet suspected of being an unknown black-sheep relative (and a Black one, period) of a mysterious, magical white tycoon – and Jurnee Smollett co-stars as a childhood friend accompanying the veteran on his voyages of discovery. The original stories of writer H.P. Lovecraft feed some of the more fantastic elements of both the book and TV versions of Lovecraft Country – but both of them also take great pains to subvert, reverse, and even lay bare the racist elements of Lovecraft’s stories, poems and beliefs. Jordan Peele and J.J. Abrams are two of the executive producers of this HBO miniseries, which should lend it some instant credibility, which Green and company pay back with interest. Co-stars include Courtney B. Vance, Michael Kenneth Williams, and Abbey Lee. I particularly love the anachronistic use of music: Next week’s episode begins with the theme song from TV’s The Jeffersons and ends with the boldly dramatic usage of Gil Scott-Heron’s justifiably angry tone poem, “Whitey’s On the Moon.” And tonight’s episode? It includes a “driving while Black” incident that, even though Lovecraft Country is set in the mid-’50s, couldn’t be any more applicable to today – and ends with a thrilling climax that’s monstrous. Literally. As in, full of monsters. For my full review on NPR’s Fresh Air with Terry Gross, visit the Fresh Air website. And for a full review here at TVWW, see David Hinckley's All Along the Watchtower
 
  
 
 

Fox Sports 1, 10:00 p.m. ET

What is this 1984 baseball movie, starring Robert Redford, doing as a Sunday night offering on FS1? Filling time, that’s what. Because when Fox Sports is short on sports, it has to present something.
 
  
 
 

Showtime, 10:00 p.m. ET

Last week’s premiere of this British import set up its characters and conflicts very nicely. It’s about two odd couples – one a pair of killers, the other a pair of detectives on their trail – and you might expect the murderous couple to be the more entertaining. But it’s the cops, played by Eve Myles (from the original Broadchurch and the Doctor Who spinoff Torchwood) and Babou Ceesay, who are particularly compelling – and, as mismatched case officers (pictured), also are unexpectedly funny, annoyed by one another to no end. And Hermoine Corfield as the murderous murderess? She’s fun too…
 
  
 
 

HBO, 11:20 p.m. ET

Whatever you have to say this week, Mr. Oliver, I’ll be listening, and watching… Though I’ll have to record you this week, and watch after Charade is over.
 
  
 
 
 
 
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Gerda Lundgren
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Dave Bianculli
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.