WEDNESDAY
AUGUST 13
2014

BIANCULLI’S BEST BETS

 

TCM, 2:45 p.m. ET

Today is Cary Grant day on TCM, and the network is using the day, and night to present lots of lesser-known, or at least less frequently televised, Grant movies, along with a couple classics. TCM’s choices are heavy on the comedies, and you could do a lot, lot worse than to make special efforts to watch or record 1940’s His Girl Friday (9:30 a.m. ET, opposite Rosalind Russell) and 1948’s Mr. Blandings Builds His Dream House (9:30 p.m. ET, opposite Myrna Loy). But the biggest treat of all today, for me, is the afternoon showing of 1944’s Arsenic and Old Lace, in which Grant plays a newspaper drama critic (no wonder I love it) whose extended family includes two eccentric and sweetly homicidal aunts, an uncle who thinks he’s Teddy Roosevelt, and a monstrously murdering brother who resembles Boris Karloff. Raymond Massey plays that last role, which was played in the original stage version by the original Karloff. His hunching assistant, in this movie version, is played by Peter Lorre, who’s wide-eyed and hilarious. Then again, so is Grant, in one of his broadest, funniest roles. And the rest of the cast –Josephine Hull and Jean Adair as the dotty aunts, John Alexander as the bugle-blaring uncle, Edward Everett Horton as the insane-asylum director – are all, in the hands of director Frank Capra, utterly brilliant. This movie makes me feel good every time I watch it, and I watch it every time it’s televised. And appreciate, every time, how in 1944, it found a perfectly acceptable and defensible way to have Cary Grant scream the word “bastard.”

 
  
 
 

Discovery, 9:00 p.m. ET

Yesterday I wrote about some of this week’s new Shark Week specials being more entertaining for their titles than, necessarily, for their content. Today, may I just say… ditto.

 
  
 
 

TNT, 9:00 p.m. ET

SERIES PREMIERE: Sean Bean stars in this new TNT series, playing a deep undercover operative who sometimes gets lost in the roles he’s playing. In other words, it owes a lot to the Nineties CBS series Wiseguy, and even a little to the Seventies series Baretta, in which Robert Blake adopted weekly personas to bring down that episode’s villain. Legends breaks little new ground in this regard, and is watchable only because Bean is a charismatic leading man, and, past that, only if you find perverse pleasure in watching how quickly the series resorts to tired genre conventions. How long does it take before Ali Larter from Heroes, as Bean’s tough-as-nails superior and handler at the agency, joins him on an undercover assignment by posing as a lap-dancing stripper? Three commercial breaks, tops. Not that I’m complaining, really. It’s just that I’m not surprised – and in the best moments from the other shows where executive producer Howard Gordon’s name is attached, such as 24 and Homeland, surprise is one of the most potent ingredients. Not here. At least not at first.

 
  
 
 

WE TV, 9:00 p.m. ET

Tonight’s new installment features a lengthy, increasingly tense dinner out in which someone pontificates, rather bluntly, about parents and children and their respective relationships. Meanwhile, on other fronts, secrets are revealed and confronted that may lead to a change of legal tactics – or allegiances.

 
  
 
 

CBS, 10:00 p.m. ET

Tonight’s installment both deepens and begins to explain the central mysteries of this sci-fi series. One question addressed, and effectively answered: Why was Molly (Halle Berry) selected to go on her solo space mission in the first place? One question newly posed, and not yet answered at all: Why has her robot “son,” Ethan, just experienced his first dream?

 
  
 
 
 
 
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.