FRIDAY
MARCH 13
2015

BIANCULLI’S BEST BETS

 

Showtime, 8:00 p.m. ET

This is a same-week repeat of last Sunday’s installment – but it’s worth pointing out, especially to those who missed it the first time around. A lot happens in this episode, to the various scrappy survivors of the Gallagher family, but there’s one scene that froze me in my tracks when watching the first time. Lip Gallagher, played by Jeremy Allen White, is explaining to a college official why he should be allowed to make a series of tuition payments, rather than one lump sum, to stay in school. And as he does so, years of Lip’s bottled emotion and frustration and desperation start to leak out, in a performance that’s one of the most moving I’ve seen on TV all year.

 
  
 
 

TCM, 8:00 p.m. ET

I used to confuse this 1968 movie with The Absent-Minded Professor, which also had a flying car of sorts – but in that Disney movie, that vehicle went airborne due to the chemical discovery of Flubber. In this Disney movie musical, starring Dick Van Dyke, the car that provides the movie’s onomatopoeia title is a lot fancier and gimmick-prone than that. It’s sort of like a James Bond supercar, which only makes sense: This musical, which came to theaters a few years after Goldfinger, is based on a children’s book by Ian Fleming, author of all those 007 adventures. (In addition to his fascination with tricked-out cars, Fleming also displays his female name play here: the author, whose shapely Bond girl characters were given such names as Plenty O’Toole and Pussy Galore, in Chitty Chitty Bang Bang christens his heroine (played by Sally Ann Howes) with the name Truly Scrumptious. And here’s another surprise: One of the screenplay’s authors is Roald Dahl, the classically twisted writer whose works include, among many others, Charlie and the Chocolate Factory, Fantastic Mr. Fox, Matilda, The Witches, and the classic “Lamb to the Slaughter” and “Man from the South” episodes of Alfred Hitchcock Presents.

 
  
 
 

PBS, 9:00 p.m. ET

Right after The Beatles invaded America on The Ed Sullivan Show, so did another British rock band: The Dave Clark Five. And for a while, they were notching Number One hits in the U.S. right along with the Fab Four. Clark was one of the rare drummers who led the band and sang lead vocals (take that, Ringo!), and their string of hits was due, in no small part, to the music’s propulsive beats. “Glad All Over,” “Bits and Pieces,” “Over and Over” – each of those chart-topping songs contained moments where the drums were the only instrument heard. And now, half a century later, those songs, and Clark, are showcased again, this time on PBS, where the average viewer would have been a teenager, at least, when these singles first were released. (Guilty as charged, by the way.) Check local listings.

 
  
 
 

Starz!, 9:00 p.m. ET

Paul Haggis, who won back-to-back Oscars for writing the screenplays to Million Dollar Baby and Crash, both wrote and directed this 2013 film, which follows three couples in as many cities – New York, London and Rome – before somehow bringing the trio of disparate stories together. Stars include Liam Neeson, Mila Kunis and Adrien Brody, as well as Kim Basinger, Olivia Wilde (pictured here with Neeson) and James Franco.

 
  
 
 

HBO, 10:00 p.m. ET

Tonight’s guests include Arianna Huffington and Sean Penn – two very different type of pop-culture celebrities.

 
  
 
 
 
 
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.