THURSDAY
SEPTEMBER 10
2020

BIANCULLI’S BEST BETS

 

Peacock, 3:00 a.m. ET

DOCUMENTARY PREMIERE: For an entire week in February 1968, Johnny Carson turned over the reins of his NBC Tonight Show, the dominant late-night program in the country, to entertainer and civil-rights activist Harry Belafonte. Carson knew exactly what he was doing, and probably had a better idea of what Belafonte would do as guest host than most of the millions of viewers who tuned in. At a time when people of color still were relative rarities on TV, and examinations of civil rights issues and bigotry were the purview of TV news rather than entertainment, Belafonte loaded his guest couch each night with activists, liberals, and lots and lots of Black entertainers. Paul Newman, one of the guests, was part of the white minority, as were The Smothers Brothers and Bobby Kennedy. But all of them brought their politics as well as their passion, as did Sidney Poitier, Lena Horne, Bill Cosby, and Martin Luther King, Jr, just to name a few. Not long afterward, both Kennedy and King would be dead – killed by assassin’s bullets. This documentary tells the story of that week, and what happened to those shows in the decades since. For my full review on NPR’s Fresh Air with Terry Gross, visit the Fresh Air website. And for a full review here at TVWW, see David Hinckley's All Along the Watchtower

 

 
  
 
 

NBC, 7:30 p.m. ET

SEASON PREMIERE: For football fans, this is a season unlike any other – but it appears it will begin on schedule, at least regarding tonight’s season-opening Thursday night game, the first official contest of the 2020 NFL pro season. The Houston Texans and the Kansas City Chiefs take the field at Arrowhead Stadium, where the audience capacity in that Kansas City venue will be limited to 20 percent. I wonder how they set up and enforce six-feet-distancing at the food vendor stalls, which are the second most closely packed locations in most stadiums. (The most closely packed? Don’t ask. But if you’ve ever attended a game, you know.) How the audience behaves will be one part of this telecast. How the players express their Black Lives Matter sentiments before the game, and during the anthem, will be another part. And then there’s the contest on the field. All of it, this year, is fraught with tension that has nothing to do with the actual football competition.
 
  
 
 

TCM, 10:15 p.m. ET

In this 1970 movie directed so inventively by Robert Altman, Donald Sutherland and Elliott Gould play renegade Army surgeons Hawkeye Pierce and Trapper John, the roles played in the subsequent TV series by Alan Alda and Wayne Rogers, respectively. The Korean War setting is the same in both the TV show and the movie, but Altman’s take is much darker, and there are other differences as well. The only film actor to reprise his or her role for the CBS spinoff is Gary Burghoff, who played clairvoyant Army clerk Radar O’Reilly. Otherwise, the now familiar roles in the series were played by other actors in the film that preceded it. In Altman’s movie, Robert Duvall played Frank Burns, with Sally Kellerman as “Hot Lips,” Roger Bowen as Col. Henry Blake, and Rene Auberjonois as Father Mulcahy. Oh, and one other difference between the movie and the long-running, phenomenally popular CBS series? On TV, the title had asterisks, and was called M*A*S*H. On film, MASH was asterisk-free.
 
  
 
 
 
 
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.