MONDAY
JUNE 1
2015

BIANCULLI’S BEST BETS

 

Acorn TV, 12:00 a.m. ET

SERIES PREMIERE: Yet another series import receives its American TV premiere on Acorn TV. This time it’s a new crime series from New Zealand, called Harry, a limited series that will be unspooled Mondays on the streaming service, with the first two episodes available today to launch the newest Acorn acquisition. Oscar Kightley, who co-wrote the series, stars in the title role, playing a detective in Auckland’s Major Crime Unit who returns to the job after a month off of bereavement leave in his native Samoa. His wife committed suicide four weeks ago, and now Harry’s back – perhaps too early – juggling his teen daughter’s needs at home and a major new case as work.

 
  
 
 

Fox, 8:00 p.m. ET

SEASON PREMIERE: For Cycle 12 of this competition dance series, Fox is trying to make enough changes so this show can remain vital, or at least viable, for a few more seasons. The biggest structural changes are in the competition – it’s now stage vs. street, not men vs. women – and in the judges’ table, where Mary Murphy is gone, and a familiar judge from an even older Fox competition series, Paula Abdul from American Idol, signs up for the entire season. And since she started as a Laker Girl and choreographer, she’s more than qualified for this up-from-the-streets showcase.

 
  
 
 

IFC, 8:00 p.m. ET

Compare and contrast: With George Miller’s new, hypercharged Mad Max movie now in theaters, here’s a chance to refresh your memories of his 1979 original. Mel Gibson stars.

 
  
 
 

Lifetime, 10:00 p.m. ET

SERIES PREMIERE: This is a warning, not a recommendation. What could be more cynical, and even less entertaining, than a dating reality show? How about a scripted series that pretends to be a behind-the-scenes look at the making of a dating reality show, and is every bit as manipulative and abrasive as the genre it lampoons and deconstructs? UnReal wants to be knowingly superior to the Bachelor-type program it “examines,” but somehow creates a universe, and a program, that is even worse. Kim Zimmer stars as the screaming banshee of a producer, and Shiri Apppleby plays an assistant returning, after a meltdown, to manipulate the on-camera action without losing what’s left of her soul. Good luck with that. People who are really into The Bachelor may find this amusing, even novel – but sensible viewers will do neither.

 
  
 
 

ABC, 10:01 p.m. ET

SERIES PREMIERE: This new ABC summer series has two names attached who are giants in the sci-fi genre: executive producer Steven Spielberg and the late author Ray Bradbury, whose short story Zero Hour inspired this limited series – which, like CBS’s Under the Dome, will prove less limited if it catches on. It’s about a mysterious case involving a series of seemingly random children, each of whom shares the same “imaginary” plaything, a malicious spirit named Drill who encourages them to play games that, as in the opening sequence, lead to a small girl’s mother ending up in a coma. The young girl is played by Abby Ryder Fortson, who sells the initial concept in a way few youngsters could – kudos to her and to Spielberg, who has been great at working with young kids his entire career. The investigator brought in to explain “the whispers” is played by Lily Rabe from American Horror Story, and her husband by Milo Ventimiglia, last seen terrorizing people on Gotham. For a full review, see Ed Bark's Uncle Barky's Bytes.

 
  
 
 
 
 
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.