FRIDAY
FEBRUARY 1
2019

BIANCULLI’S BEST BETS

 

Amazon Prime Video, 3:00 a.m. ET

MINISERIES PREMIERE: Today Amazon Prime Video presents the latest labor of Hercule – Hercule Poirot, the observant detective famous from a series of mystery novels written by genre grande dame Agatha Christie. David Suchet commandeered the role of Poirot by playing him, over a long stretch of years, in a PBS series covering every Poirot story in the canon. The last of those, though, was five years ago, and now it’s time for a new Poirot, played – and played very well – by John Malkovich, whose approach is as sport of a tragic yet noble figure, long past his prime but still great at the crime-solving game. This three-part, movie-length feature is a new dramatization of The ABC Murders, in which Poirot is goaded by a killer who writes him letters in advance, threatening to kill at random by selecting victims alphabetically. This new adaptation is written by executive producer Sarah Phelps, who’s recently given us some very entertaining new takes on other, non-Poirot Agatha Christie stories, such as The Witness for the Prosecution and And Then There Were None. For a full review from TVWW, see David Hinckley's All Along the Watchtower. And for my full review on NPR’s Fresh Air with Terry Gross, listen today, or, later this afternoon, visit the Fresh Air website.
 
  
 
 

Netflix, 3:00 a.m. ET

MINISERIES PREMIERE: Actress Natasha Lyonne and comedian Amy Poehler teamed with Sleeping with Other People writer Leslye Headland to create this new limited series, a sort of slightly darker spin on Groundhog Day. Lyonne, familiar as Nicky in Orange Is the New Black (and, long before that, as Opal in Pee-Wee’s Playhouse), plays Nadia, a young New York single woman – who could have been a girl from Girls – who wakes to the sound of Nilsson’s “Gotta Get Up” and attends a party in her honor. But from that point on, everything spirals out of control, until she dies. And then wakes up to the same song, confronting a slightly different reality. Rinse and repeat – and while I watched all of Russian Doll with interest, it seemed too slight when it finally reached a concrete end. Worth the voyage? Probably. Satisfying aftertaste? Depends on your enthusiasm up to that point. But Lyonne is good throughout, and it’s fun to see Elizabeth Ashley in a small role as Nadia’s therapist. For a full review, see David Hinckley's All Along the Watchtower.

 
  
 
 

Showtime, 8:00 p.m. ET

Last week, Drunk History devoted a segment to Mary Shelley and the odd and somewhat debauchery-fueled circumstances of the creation of her Frankenstein novel. Tonight, Showtime presents the 2017 movie drama inspired by that same story. Or inspired, I guess, by the same inspiration for that same story. And this time, Mary Shelley is played by Elle Fanning, with Tom Sturridge as Lord Byron and Douglas Booth as Percy Shelley. On Drunk History, those roles were played, respectively, by Evan Rachel Wood, Jack McBrayer, and Elijah Wood.

 
  
 
 

HBO, 10:00 p.m. ET

Bill Maher’s scheduled guests tonight include politicians (New York City Mayor Bill de Blasio and Texas Rep. Will Hurd), journalists (Peter Hamby and columnist Jennifer Rubin), and one distinguished historian (Jon Meacham). Have at it, folks. We seem to be headed for the strong possibility of another government shutdown. Compare and contrast…

 
  
 
 

TCM, 12:00 a.m. ET

If you’re in the mood for a midnight movie, TCM presents a double feature tonight that teams two of the best and most influential and iconic movies of the early 1970s. First up, at midnight ET, is 1971’s The French Connection, director William Friedkin’s stunningly evocative portrait of New York City in its declining era. (HBO’s The Deuce clearly tapped this film as a primary resource. Gene Hackman (pictured) stars as Popeye Doyle, a tough detective pursuing his own stubborn brand of justice – and pursuing, in the process, a villain, in a car vs. train pursuit that still ranks as the ultimate in movie chase scenes. Roy Scheider co-stars. Then, afterwards, comes 1976’s Taxi Driver, Martin Scorsese’s horrifyingly intense character portrait, starring Robert De Niro as a war veteran whose own brand of street justice makes Popeye Doyle look like a social worker. Jodie Foster, Cybill Shepherd co-star.

 

 
  
 
 
 
 
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.